On this episode of Quantum Week, January 7th through 13th, 2001.

Quantum Week.

Quantum Week.

The sprinkles break us into the show.

Yeah, so welcome everybody, Quantum Week.

We are a show where Briggs and I leap into a random week of a random year and talk about the hit song, the hit movies, some headlines, perhaps, if we remember to do them.

I almost forgot to do them today.

So I got some quickly. I got a couple. But if you got a couple, then we're covered do them. I almost forgot to do them today. So I got some, I got some. I got a couple.

But if you got a couple, then we're covered at least. And yeah, and this show, we are in mid-January

of 2001, and we're talking about the movie Traffic, which is a Sordabrook film, and Miss Jackson,

the Outcast song.

So, yeah, Briggs, should we get right into it?

How did you?

So I have an interesting, not an interesting, I have like a, I don't know, I, I,

Soderberg to me, it's like he's really brilliant,

but then he also does some weird stuff, not weird, like bad stuff.

He's kind of hit and miss,

but the brilliant stuff that he does is super brilliant. So, uh, yeah, okay, I, I agree with that.

He's got kind of an out of the box attitude for a guy who's done a lot of big Hollywood movies.

Yeah, and he's done a lot of, originally an indie guy. He's an indie guy, and I think he's an indie guy at heart. Oh, for sure.

He's an art house avant-garde guy at heart 100%.

But then he does, like, big budget stuff that doesn't make sense to me.

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