Yo, Adam.

Yo.

I'm going on a search. Search for what? What do I like to search for? What are some other things? You know me. What do you like to search for? Well, if I check your search history, I'm going to... Oh, don't do that. What do you search it for? What are you looking out for? Today, we're searching for Herbie. We've been trying to search for Herbie. Ah, we've been trying to search for Herbie. Finally.

I'm Adam Manus.

And you're listening to the You'll Here at Podcast.

Music, jazz, life, advice coming at you. Oh, there you go. Coming at you, sponsored by Open Studio at Open Studio at'll Hear at Podcast. Music, Jazz, Life, Advice, coming at you.

Oh, there you go. Coming at you, sponsored by Open Studio at Open Studio at Jazz.com for a deeper dive and all this. Peter, we've been talking about searching for Herbie for months. I know. But you wanted to go on like a full-on car trip adventure documentary searching for Herbie. And I was like, we probably know someone that knows him. so we could just call him if we wanted him?

And also what's ended up happening is just wait for him to come to us. He's going to be coming, well, we're hoping right here at this desk. That's TBA. Maybe. Maybe. But he's going to be very close to here, like within 50 yards in just about six or seven weeks,

which we're super excited coming to the music

at the intersection festival right here on the streets

and not wait.

Grand Center.

So yeah, we're excited, you know.

I've been having fun looking at some videos

and some posts about their summer tour.

They're over in Europe right now, Herbie Hancock

and his wonderful group with Leonel Lueke, James Genus. I saw Terrence Blanchard on there. You know, just always killing it, always doing his thing. We love Herbie. We love Herbie. And you know, that's what this episode is all about, is all about Herbie's sort of template, which is a crass way of saying his style of playing. Template.

Yeah.

Is that like a template?

Template. Template. How do you say it? Template. Template? Yeah, I don't know. How do you say gala? Gala. Come on. More on the gala. More on the gala. I love how we look up here. I know. Like they're, yeah.

But yeah, so this is,

we're calling this the most copied pianist in jazz. He's 100. Is that hyperbole? No, I think from modern musicians, Herbie is the most copied pianist. If you go to any jazz gig right now at a new jazz club around the world. Yes. There's a good chance.

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