I'm Adam Menace.

And you're listening to the You'll Hear It podcast.

Daily Jazz advice and banter coming at you.

Bantor.

Well, it's Thursday. I like to change it up a little bit. You got a banter Bantor? Well, it's Thursday.

I like to change it up a little bit.

You get a banter with me today? Well, the thing is advice. Yeah, we do give advice, but we don't give it everything. Sometimes we just banter back and forth. So I want to be truthful. Truth in podcasting. And sometimes you just feel like bantering. You're just like, I'm tired of advising. But Bantr's not a, it's not a fighting thing, is it?

Bancher's positive.

No, no, no.

Yeah.

So today, feel like bantering. You're just like, I'm tired of advising. But banter's not a, it's not a fighting thing, is it?

Bantor is positive? No, no, no. Yeah. So today, we actually have a question. This is a follow-up question

to an episode we did a couple weeks ago about transcription. Yeah. It's from Charles. Charles says,

hello, gentlemen, thanks so much for answering my question on practicing voice leading on the piano.

I have two questions. It may wind up taking two separate podcasts. We'll see about that, Charles.

We'll be the deciders of that.

Okay, so he says, you just did a podcast on transcription. It was a very good podcast on how to get started and the benefits from doing so.

My question is, what do we do after we've learned the transcription? Playing it through all 12 keys in an option, pulling out licks and phrases. Yeah, what else can we do beyond those two options? How can we better transfer what we hear in our heads to our instruments? That's the separate question. Yeah. Which we kind of talked about. Yeah, but I think we can expound, expand on that a little bit. So, yeah, Charles, we'll try to get to both these questions. We'll focus mostly on the transcription part because we did kind of talk about getting started and sort of the things you can do to begin your transcribing journey. But once you've transcribed something, Peter, what do you usually do with that newfound information? Well, I love just playing it. Yeah. I love to play it. Now, this thing about taking it through all 12 keys, to be honest, I've never done that. I mean, I've taken phrases, I've taken certainly voicing, different things that I've learned through all 12 keys. I don't think I've ever taken a complete solo. But that would be great. That would be a pretty hefty feet if you did a half a minute and a half solo through all 12 keys.

I remember taking a baseline I learned of Percy Heath's through all, like one course that I

transcribe through all 12 keys. I think certain things like that can be really good.

But yeah, I love to play with it. And like what you were talking about yesterday was a great reminder about this,

when we were going over the, the, the, the, the Kelly solo to get the speakers going

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