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Paranormal Activity with Yvette Fielding

MONDAY MAILTIME: The Grief That Followed & The House That Learned

Paranormal Activity with Yvette Fielding

adam.foster@createproductions.com

Society & Culture, Science, Religion & Spirituality

4.6571 Ratings

🗓️ 3 May 2026

⏱️ 15 minutes

🧾️ Download transcript

Summary

This week on Paranormal Activity: Monday Mailtime, Producer Dom opens two of the most quietly disturbing listener submissions we've ever received.


No violence.


No apparitions.


Just two encounters that got under the skin and didn't leave.


Neev went hiking alone on the slopes of Benbulbin in County Sligo. She stayed too late. The light dropped. And then — from somewhere beneath the ground itself — something began to keen. Not a scream. Not the wind. Something older than both. A sound so full of grief it wrapped around her as she walked, moved with her as she ran, and never once felt like a threat. That was the worst part. It didn't want to frighten her. It wanted her to feel it.


Then, Hannah visited a house in North Yorkshire that locals only ever pass around in whispers. From the moment she stepped inside, there was a rhythm running through the walls. The guide's first warning: don't follow it. But when she tapped her fingers once — just once — the rhythm stopped dead. And came back at her pace. That night, at home in bed, her fingers moved against the mattress without thinking. And something, somewhere, tapped back.


What happens when the paranormal doesn't haunt a place… but reaches out from it? And what do you do when you realise you've already answered?


Producer Dom reacts, unpacks, and explores the folklore and darker theory behind both — from Banshee tradition and threshold landscapes, to the unsettling possibility that some presences don't just linger… they learn.


A Create Podcast


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Transcript

Click on a timestamp to play from that location

0:00.0

Hello and welcome back to Monday Mail Time on the Paranormal Activity podcast with me, producer Dom, where we dive into your experiences and your stories.

0:08.9

So without further ado, let's dive into that mailbag for our first story of today's episode.

0:13.2

This song comes from Neve. Hi, I'm Neve, and I've never really told this properly out loud before. Well, I'm doing that job for you,

0:21.2

Neith. Not because I don't remember it, but because every time I try it feels like I'm bringing

0:26.0

something back with it. This happened in County Sligo in Ireland, along as so as

0:30.5

the Ben Bulbin. I'd gone out alone, just for a late afternoon hike. I'd always loved

0:35.4

that part of Ireland. There's something about it that feels untouched, like it exists slightly outside of everything else. It was meant to be simple,

0:42.5

up along the ridge, take in the view, head back before dark. But I stayed too long. By the time

0:49.0

I turned back, the light has started to drain out the sky. Not a dramatic sunset, just that

0:54.0

slow, dim

0:55.0

fading where colour disappears first, then depth. The well flattens, sound dolls. Even my own

1:01.9

footsteps felt muted, like they weren't fully connecting with the ground. That's when I heard it.

1:07.1

At first I thought it was the wind catching somewhere in the rock face, but there was no wind. The air was completely still, then it came again, a long drawn-out, keen and cry. It wasn't loud in the way a scream was loud. It was worse than that, it was deep. It felt like it was vibrating through the ground beneath me, like it was coming from everywhere at once rather than any one direction. I froze. As soon as I stopped

1:28.6

moving, it stopped too. But silence that followed was absolute. No birds, no distant traffic,

1:34.5

not even the usual hum you don't notice until it's gone. It felt like the entire hillside

1:39.1

had gone still with me. I remember thinking, just walk. Just keep going and don't think about

1:44.0

it.

1:44.5

But before I could take another step, it started again.

1:47.0

Closer.

1:48.0

Not physically closer, not like something approaching, but more present, more focused.

1:53.0

Like whatever was making that sound had turned its attention fully on to me.

1:57.0

The grief in it was unbearable, not human grief, not just sadness, but, you know, something ancient and hollow and endless,

...

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