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You'll Hear It: Full Album Deep Dives with Jazz Musicians

Modal Playing: Where Do You Place the Notes?

You'll Hear It: Full Album Deep Dives with Jazz Musicians

Peter Martin

Best New Jazz, Reaction, Album Analysis, Live Music, Album, 194861, Music, Jazz Lessons, Fresh Spin Fridays, Album Breakdown, Music Analysis, Kid A Harmony Analysis, Jazz Education, Musical Life, Video Podcast, Isolated Stems, Track-by-track, Song Breakdown, Music Advice, Jazz Tutorials, Music Education, Album Deep Dive, Jazz Musicians React, Music Commentary, Jazz, Vocal Stems, Adam Maness, Tutorials, Jazz Courses, Musicians React, Peter Martin, Song Stems, Chords, Music Theory

4.9 • 770 Ratings

🗓️ 21 June 2019

⏱️ 16 minutes

🧾️ Download transcript

Summary

Got modal? We sure do! Peter and Adam talk about what and where to place notes when playing modally. Wanna send a SpeakPipe of your own? Check out the bottom of the page at http://www.openstudionetwork.com/podcast.Special offer for our You'll Hear It listeners: For $129, you can get both Jazz Piano for Beginners and Elements of Jazz Piano ($320 Value). Just add both courses to your cart, and apply promo code "BOGO" to get this deal. Visit https://www.openstudionetwork.com/courses/Be one of the first 20 people to leave us a rating or review at https://www.youllhearit.com/sticker and you can score a FREE You'll Hear It sticker.Today's episode is sponsored by Soundslice. Soundslice is a web-based music-learning software that is a hybrid audio player and notation viewer that syncs music notation with real audio. To find out more about them, visit www.soundslice.com/transcribe. And check out our Slice of Emotion In Motion (the You'll Hear It Jingle)!Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel and leave a comment for this episode.Interested in more jazz advice? Go here to browse our catalog of jazz lessons and courses available for purchase.Follow us on Facebook, Twitter & Instagram at:https://www.facebook.com/heyopenstudiohttps://twitter.com/heyopenstudiohttps://www.instagram.com/heyopenstudio See acast.com/privacy for privacy and opt-out information.

Transcript

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0:00.0

Hey, Pete.

0:00.8

Hey, man.

0:01.2

Where do you place the notes?

0:03.5

Yeah.

0:19.9

I'm Matt Amanous. You're listening to the You'll Hear podcast. Daily Jazz Advice coming at you. Coming at you today, sponsored by SoundSlic. SoundSlic is a beautiful transcribing tool. It's an amazing community where you can check out other people's transcriptions. Go to soundslice.com slash transcribe to kick the tires on the transcribing tool. Absolutely free. We use it every day for our transcriptions here on our courses at Open Studio and have for years. It's really one of the foundational tools of our business and our users love it. So check it out for yourself. Absolutely. Soundslice.com. Get to know it. Love it like we do, and you'll be in the shame. Absolutely. So where do you place the notes? This is a question for Alex. We did not answer it. I mean, we're going to do our best here. I'm a little confused. Let's do it again. Let's hear it out. Hey, Peter. Hey, Adam. Hopefully I don't sound like I'm in space anymore. It's Alex, by the way.

1:13.6

You're a pal, supposedly from Colorado, right? Anyway, I had a question about modal playing. There's a ton of stuff on what scales to use, whether it's pentatonic or symmetrical scales or Dorian.

1:29.6

All of that's great.

1:31.1

But what I want to know is where do you place those notes that you have in that melodic

1:38.5

library, right?

1:40.5

Where do you place those notes within the measure?

1:43.9

Gross simplification, comparing it to bebop,

1:47.8

but in bebop, you're told, or it's hot to place your chord tones on strong beats or the quarter note.

1:57.5

Super gross simplification.

2:00.6

Ew, it's so gross.

2:02.6

Because it's, you know, so, you know,

2:07.1

distilling this complex language into something

2:10.2

offensively simple.

2:13.0

And it's not entirely true.

2:15.1

But there's a relationship between the note and where you place it in the bar.

2:19.5

So how do you do that in a modal sense?

2:22.1

Where do you place the notes in relation to the measure or in relation to the two bar, four bar, four bar, or eight bar phrase in a modal context?

2:32.6

Please, please, please give me some questions. I want to get cut off, Alex. Please, please, please.

...

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