4.6 • 770 Ratings
🗓️ 3 September 2021
⏱️ 44 minutes
🧾️ Download transcript
American stylist and fashion designer Misa Hylton rose to prominence in the ‘90s for her work with hip-hop and R&B legends such as Lil’ Kim and Mary J. Blige. She played a major role in bridging fashion and hip-hop. But in the past, Hylton didn’t received due credit for her lasting impact on fashion trends — and even contributing to the financial success of select fashion companies — according to BoF columnist Jason Campbell. This week on The BoF Podcast, Campbell is joined by Hylton and Nick Nelson, an adjunct professor at The New School who teaches a course on fashion styling, to discuss Hylton’s life and work, as well as the enduring significance of hip-hop culture in fashion.
Hylton’s family emphasised traditional academic subjects, like science and math, during her childhood. Style was a way for her to channel her more creative side; she changed up to five times a day based on her mood at the moment. “That was the first place that I got to work with image … the energy would change, and I’m like, ‘OK, time to change my clothes — wardrobe change,’” says Hylton.
In styling, Hylton ditched the ball gowns to dress her clients in looks that were true to who they were, increasing representation for a group that had been left out of pop-culture conversations. “So many young girls related to it in the inner city and in the hoods. And it was really powerful because of that, because we were now able to see ourselves and see our style in the forefront on TV,” says Hylton.
When the looks Hylton styled for the likes of Blige and Lil’ Kim gained popularity, brands quickly followed, replicating them for the mainstream and leaving Hylton, and the other originators out. “I was not ever asked until recently to come into any luxury fashion house and create, or any photo shoot that was in a high end fashion magazine,” she says. “I wasn’t invited to style it, but our style was being emulated.” Nelson adds that “to know the history was behind that ... is incredibly important for this new generation of creators.”
Join BoF Professional for the analysis and advice you need. Get 30 days for just $1 or explore group subscriptions for your business.
Hosted on Acast. See acast.com/privacy for more information.
Click on a timestamp to play from that location
0:00.0 | I'm beginning to form relationships with fashion houses because now they see the value because we're the pulse. |
0:10.3 | We are what's hot. We're creating trends. We're spending money. And now everyone wants to work with us. |
0:16.4 | It's my responsibility as a professor to really let them know who the originators are, |
0:23.6 | because I just feel as if there's no one that's really doing that. |
0:30.4 | Hi, this is Imran Ahmed, founder and CEO of the Business of Fashion. |
0:34.5 | Welcome to the BOF podcast. It's Friday, September 3rd. American |
0:38.6 | stylist and fashion designer Misa Hilton rose to prominence in the 1990s for her work |
0:43.7 | with hip-hop and R&B legends such as Lil Kim and Mary J. Blige. She played a major role in bridging |
0:49.4 | fashion and hip-hop, but Hilton hasn't received her due credit for her lasting impact on fashion trends. |
0:55.1 | This week on the B-O-F podcast, B-O-F calmness Jason Campbell, is joined by Hilton and Nick Nelson, |
1:01.4 | an adjunct professor at the new school who teaches a course on fashion styling to discuss |
1:06.3 | Hilton's life and work as well as the enduring significance of hip-hop culture and fashion. |
1:11.6 | Here's Misa Hilton and Nick Nelson inside fashion. |
1:15.6 | Well, this is a conversation I've been wanting to have, and I'm so glad that you're |
1:21.6 | joining this conversation, Nick, because I think you will add a different dimension to this. |
1:25.6 | But we want to dive into Mesa, this is about you. |
1:29.5 | This is about your contribution to fashion. |
1:31.6 | This is about your long experience in this industry, a story that's not always known. |
1:37.2 | So I would like to be a part of the telling of this story. |
1:41.6 | And Nisa, I was working in this industry during the time of your rise. |
1:45.6 | I witnessed the delicate dance between fashion and hip-hop. And I remember, I remember when the |
1:52.3 | fashion industry treated hip-hop like a pariah. Yes. But as we know, that has all changed. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from The Business of Fashion, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of The Business of Fashion and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.