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Bookworm

Miranda July

Bookworm

KCRW

Arts

4.5606 Ratings

🗓️ 13 September 2007

⏱️ 29 minutes

🧾️ Download transcript

Summary

No one belongs here more than you and Learning to Love You More, co-author Harrell Fletcher (Prestel)
Miranda July's film Me and You and Everyone We Know captured the mood of a generation –- and its attention. In this first book of stories, we find the same fear of paralysis, the same narcotized, sleepwalker affect. Why does Miranda July, a tireless whirlwind, identify with these listless characters?

Transcript

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0:00.0

Funds for Bookworm are provided in part by Lannin Foundation.

0:07.1

You are a human animal.

0:11.0

You are a very special breed,

0:15.0

or you are the only animal.

0:18.3

Who can think, who can reason, who can read.

0:22.2

From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm.

0:27.0

Today I'm very happy to have as my guest, Miranda July.

0:31.0

She's written a book of short stories published by Scribner called No One Belongs Here More

0:36.2

Than You.

0:37.2

She has been a performing artist, which I think is distinct from performance artists.

0:43.4

It is, yeah.

0:44.2

Would you make the distinction?

0:45.9

Well, it's so hard to find the right word, and I feel like when people hear a performance artist,

0:51.7

they picture something really specific that's maybe less scripted and rehearsed

0:56.8

and sort of playlike. But and yet I am performing, and so I have to get that word in there.

1:04.0

So, you know, no one ever sticks to that. They just, they end up saying performance artist,

1:10.1

but I always write performing artist. In just, they end up saying performance artist, but I always write

1:11.0

performing artist. In addition, she has written and directed and appeared in the movie

1:17.8

me and you and everyone we know. The book of stories, no one belongs here more than you, is a

1:24.8

collection of stories that has appeared in, among other places, McSweeney's

1:29.1

and the New Yorker and Harpers and the Paris Review and Tin House. And, you know, usually a first

1:36.7

collection I don't have on the show because it usually takes two or three books for a writer

...

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