What's happening? Welcome to Wong Nodes podcast. I'm your host, Corey Wong. I'm not going to lie. I just tried to find a quiet spot at Charles de Gaul, the airport in Paris, France. I just played a show last night at La Segal. Sick.

Sold out show.

I'm on my way to Dublin right now.

Finishing off my four-week Europe tour, which has been an absolute blast.

Insane shows.

It's so much fun.

All sold out.

Frickin' sick crowds.

Band is on fire.

Killing right now. And it is not lost on me that it is an absolute gift treat to do what i do and to be able to do it at this level i'm super grateful

for that and i'm really grateful for everybody that comes out to the shows.

So thank you to everybody who's been coming to the shows, because you help me, have a great time,

and I hope to usher you in to a good time for yourself as well.

Today on the podcast, we've got Mike Campbell.

Mike Campbell is one of those names where I heard over and over and over again when I was doing a bunch of session work, especially in Nashville.

That was a reference that was used all the time and still is used for guitar players doing session work.

And just kind of in music in general.

There's a certain tone.

There's a certain vibe. There's a certain vibe, there's a certain

style of parts that go along with Mike Campbell when somebody references it. And admittedly at first,

I didn't know exactly what people were talking about, what producers or artists were talking about,

what they wanted it, what they wanted, you know, when they would say that. But I was very familiar with a lot of the Tom Petty and the Heartbreaker

...