4.6 • 676 Ratings
🗓️ 12 April 2024
⏱️ 29 minutes
🧾️ Download transcript
Kim Masters and Matt Belloni dive into the challenges faced by legendary filmmaker Francis Ford Coppola as he struggles to find distribution for his self-financed passion project, Megalopolis. The Banter partners also take a look at the risks behind David Ellison’s bid to acquire Paramount parent company National Amusements.
Plus, Eric Deggans speaks to comedian Mike Birbiglia and documentary filmmaker Eddie Schmidt about their new special, Good One: A Show About Jokes. They share how they approached adapting a popular Vulture podcast into their Peacock special, and talk about sticking with the truth in autobiographical comedy following allegations that Hasan Minaj falsified elements of his award-winning special Homecoming King.
Click on a timestamp to play from that location
0:00.0 | From KCRW, I'm Kim Masters, and this is the business. |
0:05.7 | Stand-up comedian Mike Barbiglia is used to having total control over his material, |
0:10.5 | so he found it quite disconcerting when documentary filmmaker Eddie Schmidt started following him around with a camera. |
0:17.2 | When you have someone else directing and editing and producing, your story, it's an |
0:22.9 | extraordinary level of trust. |
0:24.5 | And I felt deeply uncomfortable almost throughout. |
0:27.8 | And so it's a testament to Eddie that he's just a very zen person, that he talked me |
0:32.6 | out from the ledge probably five or six times. |
0:34.6 | Barbiglia and Schmidt talked to Eric Digggans about adapting a popular comedy podcast into the |
0:40.1 | new Peacock special, Good One, a show about jokes. |
0:43.9 | They also talk about sticking with the truth in autobiographical comedy following allegations |
0:48.8 | that Hassan Minaj falsified elements of his award-winning stand-up special, Homecoming King. But first we banter. Stick |
0:56.4 | around. It's the business from KCRW. I am joined with my partner in banter, Matt Bellany. Hello, |
1:04.1 | Matt. Hi there. So let's talk about Francis Ford Coppola, who had a longstanding dream to make this film called Megalopolis. |
1:13.5 | And he got some very A-list people, because, of course, he's a god in the movie world. |
1:18.1 | But he decided to do something at 80-something years old that you are told nobody in Hollywood should ever do. |
1:25.0 | And that is, he decided to pay with his own money. You know, OPM, other people's money, that's like the mantra in Hollywood should ever do, and that is he decided to pay with his own money. You know, |
1:28.0 | OPM, other people's money, that's like the mantra in Hollywood. And he spent quite a lot of it, |
1:33.5 | a hundred million plus, we understand. And they had this screening where I understand Coppola was |
1:38.8 | expecting, he invited all the studio heads and some relatives and actors and whatnot. |
1:48.3 | I am told he was expecting someone to just pick it up and say, |
1:51.8 | we will distribute this film, but that didn't seem to happen. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from KCRW, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of KCRW and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.