MIDST | S2 E6: Tinderbox

Midst

Critical Role

Fiction, Arts, Science Fiction, Performing Arts

4.8 • 826 Ratings

🗓️ 27 September 2023

⏱️ 22 minutes

🔗️ Recording | iTunes | RSS

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Summary

An explosive situation. To unlock more episodes, have an ad-free experience, and access rich lore-expanding bonus content, join the fold over on Midst.co as a paid subscriber! Midst is an audio drama in which three mischievous narrators spin a surreal, reality-bending, sci-fantasy, space western about a crotchety outlaw, a struggling cultist, and a diabolical bastard making awful decisions in a world on the edge of disaster. Some themes and situations that occur in-show may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode. Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it’s useful: http://bit.ly/PsycomResources Midst is created by Third Person Original Music and Episode Icon Art by Third Person Additional music by 5 Alarm and freesound.org Follow us! Website: https://www.midst.co Twitter: https://twitter.com/midstpodcast Instagram: https://instagram.com/midstpodcast Find our merch at midst.co Midst is a Metapigeon production in partnership with and distributed by Critical Role Productions Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:46.0	The mail cart is yet again descending into unfathomable darkness.
0:51.1	It is getting close to its destination, but it's not there quite yet.
0:53.9	It takes a little while to get from here to there, and for the most part it's a long,
0:55.7	quiet journey through emptiness.
0:58.6	Zela has gone to sleep in the engine car, and Phineas is pretending to sleep in the mail car.
1:05.5	The mail cart has two components, at the front an engine compartment full of all the boccular stuff that makes the cargo,
1:15.2	and a rear compartment full of nothing but boxes and cargo. Both compartments connected in the middle
1:20.7	by a narrow doorway. Lark has taken the opportunity to get a moment of goddamn peace and quiet to herself,
1:30.3	with the other two, presumably asleep. Lark is now sitting on the roof, the cable overhead,
1:37.3	and the dim, intermittently blinking beacon light in front of her.
1:42.3	Blinking dimly on and off, on and off.
1:48.0	Illuminating the nothing that there is to be seen in the darkness of the fold,
1:53.1	enjoying her third to last cigarette.
1:56.1	She knows she shouldn't be smoking here in this dangerous wilderness
2:00.6	where every little flicker of life
2:02.9	could be detected by forces unseen. But the pinprick of heat is small enough, and she's not
	...

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