This is a bloody disgusting podcast network.

We're gonna carry on and plan the sequel because let's face it baby these days

you got to have a sequel and welcome back to microqueers it's your weekly queer

it's your weekly queer horror short roundup, and I'm Joe.

And I'm Trace.

And Joe, we're going to Old McDonald's Farm today.

Yes, the nursery rhyme of your nightmares.

Yeah, everyone, we're discussing Sam Millman and Peter Vass's queer, yeah, yeah, well, no, we'll call it a queer horror short.

Old McDonald, which is a fun little play on, I guess, Texas Chainsaw Masker, right?

For sure, yes.

And it's appropriate, I guess, considering that we're talking about the short before halloween so

i don't know lots of people seem to think that texas chainsaw is like the scariest horror film right

um yes i've been seeing a lot of people throw that around it's interesting though i mean i don't

want to get too much into it but tex chancetka the original i did see it actually after I saw the remake. Whoops. But it's always a movie that I'm like, oh, like, I get why it's so

popular. It makes me feel absolutely disgusting and exhausted. But I also, like, don't particularly

enjoy watching it. So I don't actually rewatch it a lot. So I'm actually due for a rewatch on Texas Chainsaw Masker relatively soon.

Hmm. Okay. Yeah. I definitely think that the short benefits, if you know a little bit about it, but I also think that it's so self-aware that it's kind of playing up the fact that like,

do you know horror tropes? If so, you'll still get something out of this. It is. And I'm conflicted.

So I think that this is actually probably, again, one of the more high production value shorts we've seen.

And it also has some names.

And I mean, we've got, and I was going to say, Jumanju, welcome to the jungles, Madison Iceman.

But I guess people might know her more as the babysitter and Annabel comes home.

...