Michelle Maren: A Reluctant Star – Podcast 50
The Rialto Report
Ashley West
4.8 • 531 Ratings
🗓️ 10 May 2015
⏱️ 90 minutes
🧾️ Download transcript
Summary
Michelle Maren’s life has been eventful, surprising and difficult.
So much so that she has recently finished a documentary, ‘An Autobiography of Michelle Maren’ which she co-directed with award-winning filmmaker, Michel Negroponte. The film is starting to appear in film festivals around the country.
It recounts her troubled beginnings as a victim of abuse and domestic violence. By the age of 17 in 1979, she was homeless, living on the streets of New York, spending her days in Times Square and her nights in flophouses. The next years were a bewildering blur: she won the Miss Big Apple beauty contest and for a while was Tiny Tim’s support act. She worked in a succession of jobs – an increasing number of them in the sex industry, from sexual surrogate, go-go dancer, escort, and as a model in men’s magazines.
And all that was before Michelle even entered the adult film industry. In 1984, she starred in Gerard Damiano’s ‘Deep Throat’ sequel ‘Throat… 12 Years After’ (1984), and had parts in Henri Pachard’s ‘Public Affairs’ (1983), the ‘Flashdance’ adult film spoof ‘Flash Pants’ (1983), and others.
She stopped making films as mental illness and depression threatened to engulf her, and started her journey to recovery. For years lived she lived quietly, privately, virtually cut off from the outside world. Which makes her documentary all the more startling. It’s a remarkably open and brutally honest telling of her story.
On today’s episode, Michelle looks back and remembers her years in New York and her time making adult films.
Brace yourself.
This episode’s running time is 90 minutes.
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Michelle Maren:
Visit Michelle Maren’s blog here
Visit Michelle Maren’s Facebook page here
Visit Michelle Maren’s Google + page here
Michelle Maren, Miss Big Apple 1981
Michelle Maren, Miss Big Apple 1981
Michelle Maren, Miss Big Apple 1981
Anco Theatre, 254 West 42nd Street – with Flash Pants picture
UPDATE: November 2015
Michelle contacted us recently to tell about the New York premiere of her film at NYCDOC. She kindly shared the following pictures with us.
The post Michelle Maren: A Reluctant Star – Podcast 50 appeared first on The Rialto Report.
Transcript
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| 0:00.0 | The following is rated X for adult feeling. |
| 0:13.0 | Oh, I'm so glad you're making this salad with me today. |
| 0:18.0 | Thanks for bringing your big cucumber. Bring it over here and stick it in my ruffly lettuce. |
| 0:25.6 | Now give me the creamy dressing. Oh yeah! Toast it! Toast it! Yeah! |
| 0:33.6 | Mmm, that's one good salad. |
| 0:42.3 | Am I so disgusting that my presence in your home is a knife? |
| 0:49.3 | Well, I'm Black Dad. |
| 0:53.3 | I'm your black child! |
| 0:56.0 | Them that's got shall get, them that's not shall lose. So the Bible said... |
| 1:20.0 | That's Michelle Marin from a new documentary about her life. It's called an autobiography |
| 1:25.4 | of Michelle Marin, and she co-directed it with award-winning filmmaker Michelle Neguiponte. |
| 1:30.7 | The film is starting to appear in festivals around the country. |
| 1:33.9 | It recounts her troubled beginnings as a victim of abuse and domestic violence. |
| 1:38.3 | By the age of 17 in 1979, she was homeless, living on the streets of New York, spending her days in Times Square and her nights in flop houses. |
| 1:47.0 | The next years were a bewildering blur. |
| 1:50.0 | She won the Miss Big Apple Beauty Contest, and for a while was Tiny Tim's support act. |
| 1:55.0 | She worked in a succession of jobs, an increasing number of them in the sex industry, from sexual surrogate, go-go-dancer, escort, |
| 2:02.6 | and as a model in men's magazines. |
| 2:04.6 | And all that was before Michelle even entered the adult film industry. |
| 2:08.6 | In 1984, she starred in Gerard Damiano's Deep Throat sequel, Throat 12 Years After, |
| 2:14.6 | and had parts in Henri Pashard's Public Affairs, the Flashdance adult |
| 2:19.2 | film spoof Flashpants, and others. She eventually stopped making films as mental illness and |
... |
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