4.4 • 13.7K Ratings
🗓️ 26 May 1996
⏱️ 35 minutes
🧾️ Download transcript
The castaway in Desert Island Discs this week is the producer Michael White. Renowned for his theatrical flair - with a string of successes such as Sleuth, The Rocky Horror Show, O, Calcutta and A Chorus Line - he'll be talking to Sue Lawley about the downside of show business as well as the euphoria of the successful first night. He'll also be describing his cosmopolitan but miserable childhood. Sent away to school in Switzerland alone and just seven years old because of chronic asthma, his early years were often lonely and confusing.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: Coming In From The Cold by Bob Marley Book: A title by Marcel Proust Luxury: Bicycle
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0:00.0 | Hello I'm Krestey Young and this is a podcast from the Desert Island Discs archive. |
0:05.0 | For rights reasons, we've had to shorten the music. |
0:08.2 | The program was originally broadcast in 1996 and the presenter was Sue Lolly. My costaway this week is a producer. He comes from a Scottish Jewish family and after a cosmopolitan but unhappy |
0:35.4 | childhood when he was educated in Switzerland, Germany and France ended up working in the London |
0:40.7 | theatre. The first show he produced was a complete flop. |
0:44.8 | Undaunted he tried again and the string of successes he since enjoyed |
0:48.8 | testify to the wisdom of that decision. |
0:50.9 | Sluth, Ocalda, a chorus line, the Rocky Horror Show to name. of that |
0:55.0 | the |
1:00.0 | the rocky horror show to name a tiny few. |
0:56.0 | Famous not just for his theatrical flare but his lifestyle too, |
1:00.0 | beautiful women always accompany him on his frequent trips to London clubs and parties, |
1:05.2 | he can't think of one good thing about growing old. |
1:08.8 | Now 60, he still loves every minute of his job. |
1:12.1 | It's like being on a roller coaster, he says. He is Michael White. A roller coaster with no guarantee of coming up the other side, though, Michael. I mean, you must have made and lost a fortune in your time if not several. |
1:23.0 | Several. |
1:24.0 | It's an extremely risky business and it becomes more so because the one thing that's happened |
1:30.0 | is that the public now expect productions to have such enormous quality in the scenic lighting |
1:37.7 | sound departments and obviously that's extremely expensive. |
1:41.7 | And there's no such thing as a surefire hit, That's the problem, isn't it? You can put a lot of money into something that goes |
1:46.4 | fut on the first night. Well yes, there are many famous occasions of shows that have opened with tremendous advance and expectation and they just |
1:57.2 | don't happen. |
... |
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