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Are You A Charlotte?

Michael Patrick King reveals the actor that auditioned for 10 different characters before landing an iconic role!

Are You A Charlotte?

iHeartPodcasts

Tv & Film

4.71.2K Ratings

🗓️ 3 June 2026

⏱️ 41 minutes

🧾️ Download transcript

Summary

Oh this is a juicy one!! Michael Patrick King reveals how and why he wanted John Corbett to return as Aiden for a Round 2 with Carrie in Sex and the City and what John Corbett had to do to make it happen!

Plus, how the coffee shop scenes were like choreographing the Rockettes, the sacred time in the makeup trailer, and the hilarious moment that was removed from Sex and the City but showed up in And Just Like That!

See omnystudio.com/listener for privacy information.

Transcript

Click on a timestamp to play from that location

0:00.0

This is an I-Heart podcast.

0:02.5

Guaranteed Human.

0:05.6

Hi, I'm Kristen Davis, and I want to know, are you a Charlotte?

0:10.7

Hi, everyone.

0:12.1

Welcome back to Are You a Charlotte?

0:13.7

We are here today with Part 2 with Michael Patrick King.

0:17.9

Always a good time.

0:19.2

Thanks for joining us.

0:23.8

When you were writing, so I'm going to connect it all to Charlotte. So what I see when I watch the scene with Cynthia especially is like

0:28.2

Charlotte and Kristen are kind of dealing with the evolution of Charlotte in terms of getting out of

0:35.7

some of the boxed elements of her, right? Like, you know, she's always trying so hard and she's peppy and she's whatever, blah, blah, blah. And now we're really, we're really stretching, right? Yeah, she's heartbroken. Yeah, she's heartbroken and also, but she's still going to try, right? But then she doesn't know how. Like that, you know, so it's like, you can't just deviate, right? And we're going to get to the point where I'm laying on my couch and Carrie comes and that's such a beautiful scene. Right? Like you're so, you're like building block by building block building it. You have to believe the situation. You can never, you can never lose gravity. You can't suddenly go someplace where the audience goes, wait, did I miss an episode? Right. It all has to be a little bit ahead, but just a little bit ahead of the way they are. Right, right, right. If it's too far ahead, they don't understand. Start to see, oh, she's covering, oh, she's covering, oh, that's going to be hard.

1:43.3

And then you see the nobility of her coming at the end and choosing friendship. Exactly. And that's what we were talking about. I don't remember that scene at all, which is interesting because I was worried about the other scene, but I don't think I was worried about that scene. But you can tell, I could tell when I come in the door that I've already been crying.

1:43.8

Yeah.

1:44.2

Right?

1:45.8

So that was interesting.

1:47.1

I don't think it was a choice, right?

1:44.3

I think it's probably just whatever take it. can tell, I could tell when I come in the door that I've already been crying. Yeah. Right?

1:45.8

So that was interesting.

2:00.6

I don't think it was a choice, right? I think it's probably just whatever take or whatever. And me having all, like, at that point, there's, it's pent up, you know? And then I, and I couldn't remember what I was going to say, which I love, right? Not in the scene when I was watching, right? And I love that, that you don't know.

2:03.1

Also, we didn't want the audience to know.

2:03.6

Right.

2:02.6

It works so good.

...

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