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0:00.0 | You are a human animal. |
0:07.6 | You are a very special breed, |
0:11.1 | for you are the only animal. |
0:15.2 | Who can think, who can reason, who can read? |
0:18.5 | Hi, this is Michael Silverblad, and this is Bookworm. |
0:21.4 | Today, my guest is Michael Cunningham, whose new novel, A Home at the End of the World, |
0:27.0 | has been published by Farras Jous and Drew. |
0:29.8 | It's kind of an interesting situation with this book. |
0:35.0 | Several chapters of it were published in The New Yorker, and as |
0:38.5 | soon as I read them, I knew I had to find out more about this writer who seemed to come |
0:45.2 | out of nowhere with a poetic style and a kind of explosive sense of violence and tenderness, and I've been eager to meet you since. |
0:58.1 | Thank you. |
1:01.2 | I'm kind of curious. Throughout this book, or at least for its first third, the world is |
1:08.8 | described in ways that make it sound as if it were a place you could eat. |
1:12.6 | Walls are biscuit-colored, things are chocolate-colored. |
1:17.6 | There's an enormous spraying of food all around the landscape. |
1:22.6 | Why is this? |
1:30.7 | Hmm. |
1:31.8 | Well, you know, I suppose, like many writers, |
1:39.0 | I just sort of write it, write it all down, however it comes out, |
1:42.2 | and then wait for a good smart reader to come along and, um... |
1:47.0 | It's scary. |
... |
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