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Standard issue for all women.

Hello there and welcome to the Tuesday podcast.

It's Mickey. By the way, I'm sure my dulcet northernones, but you already knew that. The chat you're about to hear is one

I thoroughly enjoyed with another working class woman, even though Meg Maloy is

firmly southern. Well, there's no beef, only huge respect as Meg is the founder of the

Working Arts Club, a brilliant, ever so necessary network

supporting arts professionals from working class backgrounds. Before you listen to Meg, let me tell you

what else is happening for your ears this week. Jen's chat with psychiatrists and psychotherapist

Dr Joanna Cheek about how to deal with a world on fire is already available and

well worth your time. For rated or dated tomorrow, Hannah and I have watched Arthur Miller via

John Houston with Marilyn Monroe and Clark Gable, petty talent in 1961's The Misfits. Poor

Horses. Jen and I will be channeling everything we learned from Joanna

Cheek to survive looking at the news for Thursday's Bush Telegraph. And you can catch Hannah's

recent thoughts in this week's substack. Please do subscribe if you haven't already.

And on Friday, Hannah is chatting to writer Catherine Dyson about dogs, dark times and her new play The Last Picture.

But now here is Meg. We are talking about the lay of the land for working class kids wanting

to access the arts, why it's important they can do so, and why Madge maybe needs to calm

...