Maybe the Best Buried Treasures Ever? Plus Listener Feedback
Sound Opinions
Sound Opinions
4.3 • 2K Ratings
🗓️ 29 July 2022
⏱️ 54 minutes
🧾️ Download transcript
Summary
Hosts Jim DeRogatis and Greg Kot share new music that isn't getting the attention it deserves- they call them "buried treasures." The show's staff joins in sharing their picks as well. Plus they listen to recent feedback from listeners.
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Featured Songs:
Dehd, "Bad Love," Blue Skies, Fat Possum, 2022
Oliana, "Jupiter," Jupiter (Single), Oli x Tooti, 2022
Body Type, "Buoyancy," Everything Is Dangerous But Nothing's Surprising, Poison City, 2022
Taqbir, "Aisha Qandisha," Taqbir EP, self-released, 2021
Momma, "Medicine," Household Name, Polyvinyl, 2022
Mayyadda, "BlackGirlMagic (Acoustic Remix)," BlackGirlMagic (Acoustic Remix) (Single), Mayyadda, 2022
O.N.E. The Duo, "Stuck In The Middle," Stuck In The Middle (Single), Visionary, 2022
Say Sue Me, "To Dream," The Last Thing Left, Damnably, 2022
Hater, "Renew, Reject," Sincere, Fire, 2022
Ethel Cain, "Crush," Inbred, Daughters of Cain, 2021
Holland Patent Public Library, "Joe Pera Sits With You," Joe Pera Talks With You: Season 3 (Original Soundtrack), Adult Swim, 2022
The Who, "Baba O'Riley," Who's Next, Polydor, 1971
The Venomous Pinks, "No Rules," Vita Mors, SBÄM, 2022
Dummy, "Mono Retriever," Mono Retriever (Single), Sub Pop, 2022
Crumb, "Balloon," Ice Melt, Crumb, 2021
Chime School, "It's True," Chime School, Slumberland, 2021
Sharon Jones & the Dap-Kings, "What If We All Stopped Paying Taxes," Soul Time!, Daptone, 2011
Trombone Shorty, "I'm Standing Here (feat. Gary Clark Jr.)," Lifted, Blue Note, 2022
Tummyache, "Alive Again," Teeth - Single, Tone Tree Music / You + Me, 2022
The Beatles, "A Hard Day's Night," A Hard Day's Night, Parlophone, 1964
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Transcript
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| 0:00.0 | Hey sound opinions listeners, if you support us on Patreon, you get to listen to our podcast |
| 0:05.8 | ad-free on Patreon. |
| 0:30.2 | You're listening to Sound Opinions and this week we'll be hearing comments from our listeners |
| 0:34.5 | and some buried treasures picks from our staff. I'm Jim D. Wurgatus and I'm Greg Cutt. We're |
| 0:40.2 | also sharing a new batch of buried treasures, great music flying under the radar. Yeah Greg, we do |
| 0:46.3 | these shows a couple times a year, we dig deep for music that many people won't have heard. I was |
| 0:52.8 | thinking I wanted to pose a question to you. What separates or what elevates a buried treasure |
| 0:58.8 | into the mainstream? Because it seems like maybe one out of ten or twenty of these ever go on to |
| 1:05.8 | anything, not that that matters. Right, I mean most of it's super obscure and stays that way, |
| 1:11.5 | two critics in Chicago telling people that they need to listen to this isn't going to change their |
| 1:17.1 | commercial fate, but I mean I go back sometimes and listen to buried treasures that we had years |
| 1:22.0 | ago just to see whether it holds up. Yeah and I would say the majority of them do, at least for me. |
| 1:28.2 | Well I don't underscores that there is so much great music out there these days that people are |
| 1:33.9 | able to record and distribute themselves independently. Well and I also think it's sort of the answer |
| 1:40.7 | to well they just don't make them like they used to that argument or the music has deteriorated |
| 1:46.1 | over the decades. I think it's better than ever in a lot of ways and I think hopefully the next |
| 1:51.5 | hour or so of listening will prove that again yet again. Yeah there you go and as I always tell my |
| 1:56.3 | students in the classes I teach about criticism, the commercial accomplishments have nothing to do |
| 2:01.4 | with the artistic success. Although we wish that every one of the artists were going to highlight |
| 2:06.3 | could sustain themselves. I'm going to start with a fascinating singer-songwriter who's just got |
| 2:12.4 | this sort of effervescent spirit. Her name is Oliana of French and Mexican parents grew up in Paris |
| 2:22.8 | then moved to Toronto where she formed a very productive relationship with a music producer named |
... |
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