May (2002) feat. Katie Rife

Horror Queers

Film Reviews, Lgbt Horror, Gay, Gay Horror, Queer Horror, Lgbt, Queer, Film History, Tv & Film

4.8 • 854 Ratings

🗓️ 8 July 2020

⏱️ 95 minutes

🔗️ Recording | iTunes | RSS

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Summary

After multiple requests, the time has finally come to crack the glass and dive deep into the sad, introverted, homicidal world of May, Lucky McKee's 2002 feature directorial debut, starring UBER talented actress Angela Bettis. Along for the ride is The AV Club's Katie Rife, who joins the boys to dissect Anna Faris' predatory lesbian Polly, Jeremy Sisto's fuck boy Adam (and his Horror Bro short film) and poor May, who we are equally drawn to and horrified by. Up for discussion: why Trace hates the word "gams", melons as a lesbian seduction tactic, Rian Johnson's not-so-secret obsession with the film, speculation about which character is a McKee stand-in and debate about whether we give May a pass because she's female (thanks BJ Colangelo!). Also, Katie needs to investigate her vet sister's basement for bodies. Finally, in the spirit of the film's obsession with patching and stitching things together, please accept our apologies for the occasional echo-y sound as this episode required more editing than a Frankenstein best friend named Amy. Questions? Comments? Snark? Connect with the boys on Twitter @horrorqueers, our Facebook Page or join the Facebook Group. > Trace: @tracedthurman > Joe: @bstolemyremote > Katie: @RifewithKatie Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Check out the NEW online articles on Bloody Disgusting Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0	Come to me.
0:01.4	Focus features invites you to succumb to the darkness.
0:05.2	Osferatu.
0:06.1	From director Robert Eggers comes a masterpiece of horror.
0:10.1	He is coming.
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0:18.5	It is death itself.
0:22.5	Nalsferatu.
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1:01.2	This is the bloody disgusting podcast network. And Alice, out of the door, please!
	...

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