4.9 • 1.1K Ratings
🗓️ 10 April 2021
⏱️ 45 minutes
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0:00.0 | I am so glad you could join us. I'm your host Mo Gaudet. This podcast is nothing more than a conversation between two good friends sharing inspiring life stories and perhaps |
0:16.3 | some nuggets of wisdom along the way. |
0:20.3 | This is your invitation to slow down with us. |
0:25.7 | Welcome to slow more. My guest today is someone you may know very very well because you heard him many times |
0:40.0 | but you didn't hear him speak in words, you heard him speak in music. |
0:45.0 | And so you may actually not recognize that it was him. |
0:49.0 | One of my favorite composers Max Richter, or Richter if you want to say it in English but Richter is the |
0:56.3 | mother tongue of his original language. Max writes beautifully crafted, very intelligent as a matter of fact, works of music that are very, very |
1:06.3 | disarming in their honesty, very conducive of reflection if you want, and he really does it to communicate a message a social message most of the |
1:17.3 | time. Despite the underlying sophistication you know his music seems to be very accessible if you want to all and I |
1:27.0 | believe that his expression through his music has reached all of us because he surpassed a billion streams and a million |
1:37.0 | albums sold. Max has also become an influential composer, not just in his solo albums but in films and |
1:44.7 | television and so he created the brilliant score for the golden globe and |
1:49.7 | European Film Academy Award winner the waltz was Bashir, which if you haven't seen, is quite a touching |
1:56.6 | and a bit intense, but an amazing, amazing story about the invasion of Israel to Lebanon in 1982. You know he composed the score for |
2:06.7 | HBO's cult drama the leftovers. He composed for Black Mirror, for Tabu, |
2:13.7 | among many others. |
2:17.1 | Ten years in the making, Max's latest work is Voices, and actually the reason why I wanted so much to host Max with us today |
2:27.4 | Voices brings together recordings of people in over 70 countries with an incredibly inspiring background music, |
2:35.9 | reading the Universal Declaration of Human Rights. |
2:39.2 | With a massive and a very unusual orchestra that is almost flipped upside down where some of the |
2:45.6 | skirts instruments are actually used a lot more often. This piece of work really |
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