Hi and welcome to season two of the Team Deacons podcast.

A collection of informal conversations between Roger and James Deacons and a guest.

We never know where the conversation will take us, so listen in and see where it goes.

This episode is sponsored by Falca, a Barcelona-based production company supporting television,

feature films and commercials, as well as assisting international companies planning to shoot in Spain.

Falca's team is adaptable and resourceful, and loves the craft of making good movies.

Today's podcast is being brought to you by True Cut Motion from PixelWorks.

True Cut Motion is an advanced motion grading technology that works seamlessly with both theatrical

and home streaming distribution, providing filmmakers with a broad new pallet of motion looks

previously not possible. By unlocking tools for the adjustment of jutter, shutter angle,

and speed ramps shot by shot and post-production, True Cut Motion gives the filmmaker

unprecedented control of the motion look of their work on any screen.

Today we have the pleasure of talking with a director. Among his films are Cloverfield, Let Me In,

Dawn of the Planet of the Apes, War for the Planet of the Apes, and the Batman,

we're so pleased to welcome Matt Reeves. Matt, thank you for doing this with us today.

Oh, this is such a pleasure. It's an honor to talk to you guys.

Such a huge fan of you guys. It's like, oh my god. Roger, you're like one of the reasons that,

I really wanted to make movies. For me, I always talk at these things. I'm very affected by light,

by the emotionality of light. Those are the things. I can't articulate it really

except that it makes me feel something in a certain way. There's something about that in cinematography

that has always moved me. When I was a kid, I had an eighth grade theater arts teacher who said

that we had to all go see fame, the Alan Parker film that was shot by Michael Michael Sarasin.

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