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Right out then, it is this smoking tire podcast. We can start it with a low tone.

I don't know. How do you like, you can't just come in with a high energy. Sometimes it's kind of, hey, you need a, you need an opening bit.

What would you, if you were opening our show, what would, hey, I'm giggle hysterically. I don't know. Like we open, we open carcass with Adam opens all of his shows with his kind of a,

uh, uh, you know, get it on, got to get it on. No choice but to get it on. Yeah. Yeah.

Well, carcass starts with really, really loud intro music. Yeah, we do. Yeah. I don't know anything about that.

We had a guy. There was a guy. You had a, can we get a guy? And he does a thing. That's how he's, that's how we get over the show, just like that.

Yeah. Can we get a guy? All right. Welcome to the smoking tire podcast. Here we go. Oh, I guess you're the guy. We just got a guy. That's what I thought the highest energy in the room.

Matt, Andrea is on the program this evening. Thank you, sir. Thank you. Thanks for having me with a Stella, our twa. Yeah. Belgium, Belgium. It's Belgium, right?

Yeah. I think I called it German in something and I got fucking the Bentley film. Yeah, the Bentley film. I called it German. It was, it was certainly, oh, was that the one with the dudes on the bikes? The bikes. Okay. Yeah. That was a Morningstar idea. The bikes. Yeah. Yeah.

So for those who don't know this, Matt is the other half of Adam Curle's car cast. He is the executive producer of a new film that I've been looking at the coffee table version book, a book version of for a while actually. I had it over my toilet for like two years.

How'd you like it? It's awesome. It's called License Day. I know. That's when Adam told me I was like, oh, I know that book. Yeah. I shot to that for years. It was great. I learned someone. Now you can shoot to our movie.

So by that logic, are you going to do I key catalog the movie? Yeah. And of course the book is also called winning. Yeah. So it's it's a it's a feature film documentary about Paul Newman's racing career. And we're pretty sure the film is going to be called winning the racing life of Paul Newman, just like the book.

It's a good book. Matt Stone. Right. And now it's a it's a good book. There's a lot of good stories from pro drivers and various celebrities and and whatnot. And they park around Matt Stone. No, no, no, it's like like a writer Matt Stone. Yeah. Like also bald journalist Matt Stone. Yeah. That doesn't narrow down. No.

Adam said that you guys got a lot of those celebrities to actually appear in the film as well. It's a celebrity studded flip. Yes. So you know, on the racing side, those guys always have great stories. So we've got Mario and Dredi and Michael and Dredi, Bob Bond or Antlin St. James Willie T. Ribs, who's awesome in the film.

That's the only black NASCAR driver, right? Or was it Indy Indy Indy? Yeah. And he is the greatest name fucking ever. Yeah. And when he went, he dances on the roof of the car. He's fucking no stereo types there whatsoever. That's a man that that's a man that retires when you get a name like that, you have to open a barbecue place. Yeah. How do you not? Right. Yeah. And then, you know, he had the Newman Hoss racing team. So we we also spoke to Sebastian Bourday and Graham Ray Hall. Oh, that's interesting.

Those guys were great as well. They tell a little bit different story. And you know, and then you get your Hollywood types. You want to make a film in the film. It's got to be sellable. So we've got Jay Leno and Patrick Dempsey and Robert Wagner, who did the movie winning with all of his eyes are still. I mean, even at what 78 I look at his eyes. And I just. Wagner. Yeah. Redford.

Robert Redford. I was thinking about I was thinking about Wagner. Well, we've got Robert Redford as well. Yeah. We got Robert Redford.

I'm.

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