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Bullseye with Jesse Thorn

Matt Berry on "What We Do in the Shadows," "Toast of London" and more

Bullseye with Jesse Thorn

NPR

Society & Culture

4.72.7K Ratings

🗓️ 14 July 2020

⏱️ 43 minutes

🧾️ Download transcript

Summary

Actor-comedian extraordinaire Matt Berry is our guest this week! Matt currently stars on the FX series What We Do in the Shadows, a show about a group of vampires living in current-day Staten Island. Matt joins us to talk about playing a vampire, where he got the inspiration for his Toast of London character, and how writing songs from the perspective of a serial killer really boosted his career. All that and more on Bullseye!

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Transcript

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0:00.0

Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR.

0:11.0

Coming to you from my house in Los Angeles, it's Bullseye, I'm Jesse Thorn.

0:25.4

There are comic actors who are kind of chameleonic.

0:29.7

They have crazy range, play a million different characters, and always do an amazing job.

0:35.6

Matt Barry is not one of those comic actors.

0:39.2

He pretty much does the one thing, but boy is he great at it.

0:44.8

What is the thing that he does?

0:46.4

I guess you could call it haughty, elegant buffoon.

0:50.4

The kind of person who starred in an award-winning West End production of Richard III in 1988,

0:55.8

and then blustered his way onto a police drama only to forget his lines and say mean things

1:02.4

to somebody from craft services.

1:04.7

Thank you, roughly what I'm talking about, right?

1:07.6

That's what Matt Barry does.

1:09.2

He's hilarious and brilliant at it.

1:11.9

Maybe my favorite thing he's ever done is a show called Toast of London, which he also

1:15.7

created.

1:16.9

Matt plays an aging buffoonish actor who makes a living doing voiceover.

1:22.0

Just to be clear, so these will be heard on every submarine in the Royal Navy.

1:25.9

Yeah, they're just automating and digitizing everything.

1:28.2

You know, they come on to press his a button, and they're calling up your voice will be

1:31.2

hurting me.

1:32.2

Yeah, I'm not interested in all that.

...

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