He's a poet. He speaks in terms of moonlight and love. Maybe sort of the naughty boy.

She realizes that she wants to run away with this man and have a wild passionate love

affair. From WQXR in the Metropolitan Opera, this is Ariacode. I'm Rianne Goodins.

I would have expected that maybe we would get some bold proclamation of love here, but

instead what we're getting is the most dire and morose kind of situation that someone

could possibly be in. Every episode, we pull apart one Arya to see how it works and

then we bring it back together so you can hear it in a whole new way. Today, we go through

the pages of the letter Arya from Massena's Verter. His words and her feelings, they all

just sort of come together. A floodgates open and it's chilling. It's so chilling.

So I admit it, I once fell in love over text. I didn't see it coming. All I knew was that

day after day, I was texting this guy for hours, morning, noon and night. It was a really

intense experience and I was just really struck with how amazing a way to get to know somebody

it is because you're not looking at them, you're not distracted by always my hair right.

You're not thinking about any of that stuff because all they can see are your words. It makes

me think about how we communicate and how things have changed over the years, but then how

things haven't changed. When we think about when people wrote letters and we tend to think

of letter writing like paper, pen, you sort of put your thoughts in order and then you write

an essay and you send it off to somebody. Back in the day, people were writing what they were

feeling at the moment. It was a much more urgent form of communication than we think of it.

And I think letters fascinate us so much because they're so intimate and personal, they're pure

communication. Maybe that's why writers and composers turn to them to show us who their characters

really are. That's exactly what's happening in the letter Arya from Massinese Verter.

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