Martin Shaw
Desert Island Discs
BBC
4.3 • 14.3K Ratings
🗓️ 21 June 2009
⏱️ 36 minutes
🧾️ Download transcript
Summary
Kirsty Young's castaway is the actor Martin Shaw. He has been one of Britain's most popular stage and television actors of the past 40 years and has taken on more than 100 different roles. Yet Martin has spent half a lifetime moving out of the shadow of one of his earliest parts: Ray Doyle in The Professionals.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: Surely He Hath Borne Our Griefs by George Frideric Handel Book: Post Captain in the Aubrey/Maturin series by Patrick O'Brien Luxury: A synthesiser to make up my own music.
Transcript
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| 0:00.0 | Hello, I'm Krestey Young, and this is a podcast from the Desert Island Discs archive. |
| 0:05.0 | For rights reasons, we've had to shorten the music. |
| 0:08.0 | The program was originally broadcast in 2009. My cast away this week is the actor Martin Shaw. He was still a student when Alec Guinness sent him fan mail. He |
| 0:35.0 | auditioned for Sir Lawrence Olivier and trod the boards with John Gilgood. Even Elvis |
| 0:39.8 | Presley apparently endorsed his talents. In many of his best known roles, he is a maverick, a campaigner, and an idealist, |
| 0:47.0 | elements that seem to have been important to him in real life too. |
| 0:51.0 | But although he's been one of our most popular stage in television |
| 0:54.7 | actors of the past 40 years and has taken on more than a hundred different roles, he has |
| 1:00.0 | spent half a lifetime moving out of the shadow of one of his earliest parts, Ray Doyle in the professionals. |
| 1:06.4 | He says of his choices, anything worth doing is going to be risky, and I really wanted to take risks. I don't think we take enough. |
| 1:14.0 | Everybody is so afraid of upsetting somebody. |
| 1:17.0 | People have just got to grow up. If they're upset, then don't watch. |
| 1:21.0 | We will come on Martin Shaw to Lawrence Olivier and Gilgood I hope a little later. |
| 1:26.0 | But first of all the King Elvis how did he come to actually see or almost review one of your performances? |
| 1:34.0 | It happened through a psychic who came to see me playing, Elvis, in Aye Lonesome tonight, which was a tribute written by Alan Bleasdale. |
| 1:47.0 | And it was one of the final performances, and I got this extraordinary letter from a psychic. |
| 1:52.0 | He said that he was aware that Elvis was on stage, |
| 1:55.0 | that he'd been in touch with Elvis and that Elvis thought the whole thing was |
| 2:00.0 | rubbish, but it was in gas. |
| 2:15.0 | Interestingly to me at least, it's in your theatrical work that you've won the great plaudets and the awards and all of those things that go along with being in a public profession. Does the acting on stage, does it fulfill you more than television? |
| 2:20.0 | I think so, yes. For a start, you can remain in the character for two and half hours |
| 2:24.9 | instead of sipping at it you know for one and a half minutes at a time but also |
... |
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