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You might not know the name, but you've probably walked past his work.

At London's Hyde Park Corner, the Royal Artillery Memorial stands, a huge stone

monument. Our great life was arguably the first British sculptor to try to capture the horror of war. A full-sized gun, a 9.2

howitzer protrudes from the top in pale stone. Four masculine soldiers surround the base, one a corpse.

It's not so much grisly as profoundly depressing.

Picasso's Guernica did something similar on canvas,

but because the horror and futility of the Spanish

Civil War was so widely acknowledged, Picasso's purpose was less question than his style.

But in our sculptor's case, this work, while revered by some, was vilified by others

as a miserable war memorial monument that was even a campaign to have it removed.

This week's great life is Charles Sergeant Jagger and

nominating him also a sculptor is Martin Jennings. Martin what's so special about this man?

He shows people like me how to do it.

I mean he was a great man not only as a sculptor,

he was great within his time.

He really enacted a minor revolution of his own in figurative

sculpture never before had anything quite so direct and honest about the horrors of war ever been done in the form of a war memorial.

Everything before that was rather allegorical.

You know, there were scarcely clad clad angelic women raising

decorously wounded soldiers up to the heavens.

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