Mariel Boatlift: Cuba In Crisis (Part 1)
This Day (An America 250 History Show)
Jody Avirgan & Radiotopia
4.5 • 1K Ratings
🗓️ 2 June 2026
⏱️ 40 minutes
🧾️ Download transcript
Summary
For the twenty-second installment of “50 Weeks That Shaped America” we go to Miami, Florida in the spring and summer of 1980. With the Cuban economy in crisis and many Cubans trying to flee the country, Fidel Castro declared that anyone who wanted to escape was free to do so -- as long as they were picked up by a boat from Florida. The ensuing flood of refugees -- and the language that was used to describe them -- set the modern template for how we treat and talk about immigrants.
Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.
This Day is a proud member of Radiotopia from PRX.
Your support helps foster independent, artist-owned podcasts and award-winning stories.
If you want to support the show directly, you can do so on our website: ThisDayPod.com
Get in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypod
Our team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia.
Learn about your ad choices: dovetail.prx.org/ad-choicesTranscript
Click on a timestamp to play from that location
| 0:00.0 | Hello and welcome to this day, a history show from Radiotopia. My name is Jody Avergan. |
| 0:12.2 | This is 50 Weeks that shaped America, and this week we are headed to the summer of 1980, |
| 0:18.2 | when hundreds of thousands of immigrants came to the United States from Cuba by boat, |
| 0:23.2 | many of them picked up by Cubans already living in Miami. |
| 0:26.8 | This wave of immigration came to be known as the Mariel Boat Lift, named after the port in Cuba, |
| 0:32.1 | Mariam, where Fidel Castro had basically said, hey, Cubans, if you want to leave this country, |
| 0:37.3 | this is your chance. |
| 0:38.1 | Go to that port and a boat from Miami is going to come and pick you up. |
| 0:41.5 | Well, no surprise, it was a chaotic affair and no surprise it was a highly politicized one, |
| 0:47.1 | not just because of the Cold War politics of the U.S. and Cuba at that moment, but also because |
| 0:51.4 | of the changing rhetoric around immigration in this country. |
| 0:55.0 | In fact, you will hear, as we discussed this episode, some of the language that is used around |
| 0:58.9 | this incident, and it is very familiar. In many ways, the Mario Boatleth set the template for how |
| 1:05.0 | politicians and the media and Americans at large talk about and think about immigrants and |
| 1:09.8 | refugees to this country. So, in two parts, Jimmy Carter, Fidel Castro, crowded boats, a changing Miami, and somehow Bill Clinton works his way into this story. Really fascinating. Here, as always, Nicole Hammer of Vanderbilt and Kelly Carter-Jackson of Wellesley. Love that. Hello, Jody. Hey there. See, that's how you do a tease to keep people on the edge of their seat. Bill Clinton is going to show up the top of the second episode. Basically waiting for Godot. Yeah, exactly. But it is kind of amazing that he's part of this and actually, I think, forged a little bit of his longer, longer term politics. But really, this is a Jimmy Carter story. |
| 1:44.9 | This is a Miami story. |
| 1:46.1 | This is an immigration story. |
| 1:47.5 | We haven't really touched on any of those in this series as we go. |
| 1:50.9 | And poor Jimmy, you know, I don't think he totally covers himself and glory in this story, though. |
| 1:56.5 | Jimmy can't get a break. |
| 1:58.9 | I think that's right. |
| 2:00.6 | And, you know, some of it is of his own doing, and I think it's worth laying out the context |
... |
Transcript will be available on the free plan in 25 days. Upgrade to see the full transcript now.
Disclaimer: The podcast and artwork embedded on this page are from Jody Avirgan & Radiotopia, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Jody Avirgan & Radiotopia and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

