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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:09.8 | You are a human animal. |
0:13.7 | You are a very special breed, or you are the only animal. Who can think, who can reason, who can read. |
0:25.1 | Hello and welcome to Bookworm. |
0:27.7 | I'm Michael Silverblatt, and today my guest is Margo Lipsy. |
0:31.3 | She is the author most recently of The Missing World |
0:34.5 | and previously of criminals, homework, and the short story collection |
0:41.0 | learning by heart. The missing world is published by Alfred Knopf. The three previous books |
0:48.4 | are available as Penguin Paperbacks. Now, well, I wanted to begin immediately. In your very first book, you have a story |
0:58.5 | obituary, which might very well be a signature story. It's a young girl speaking about her father's |
1:07.5 | appetite for funerals and the appurtenances of death and the effect of those |
1:13.4 | appetites on her. How is it that your books have emerged with this especially creepy tone? |
1:24.2 | It's very astute of you, Michael, to pick obituary, because I think in many ways it remains my favorite thing that I've written. |
1:33.3 | I was always fascinated by obituaries in the British newspapers and by the effort in those obituaries to sum up a life, to sum up a person, I suppose. And I think they were especially |
1:47.1 | meaningful to me because throughout my childhood, so many people around me died. My mother died |
1:53.8 | when I was two and a half. My beloved great-a-a-a-a-half, when I was nine or ten, and a number of other relatives died, |
2:05.4 | and my father died when I was 22. |
2:07.7 | So obituaries were a rather common currency in my early life. |
2:13.2 | My goodness. |
2:14.7 | Then these books then, how do you describe their tone? Because they are somewhere |
2:25.4 | between comic and grizzly. I tend to call them queasy, but I'm not sure that I'm putting my finger on what they are for the author |
2:38.2 | as she writes them. |
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