4.6 • 1.1K Ratings
🗓️ 1 October 2025
⏱️ 46 minutes
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This episode is a special partnership with BOSS. Special episode recorded in Milan, September 2025. #AD
Russell meets Marco Falcioni, Creative Director of HUGO BOSS. We discuss the Art Basel Awards which BOSS have been partnering with, Marcos' beginnings discovering fashion in the clubs of Rome, how art is intrinsic to his designing, and the importance of his weekly practice of visiting art exhibitions including Venice Biennale. Collaborations and partnerships are very important to him and the integrity and respect he has for his close team at BOSS. We discuss Lucio Fontana, Spatialism, Jannis Kounellis, Arte Povera, and how their art, and the art movements they were part of, opened up his mind to the power of art.
BOSS is known for timeless and sophisticated style, and commitment to culture, sport and sustainability, underpinned by technical innovations developed over its century-long history. Russell explores his inspirations and design approach, including runway collections, collaborations with David Beckham, Aston Martin, and reimagining classics with a modern twist.
Follow @FalcioniMarco and @BOSS
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| 0:00.0 | Good afternoon, good morning, good evening, whatever you are in the world. I am Russell Tovey |
| 0:10.6 | and I am riding solo for this episode of Talkart because Robert is opening his show in Margate |
| 0:17.8 | at Carl Freedman Gallery for the countereditions 25 years celebration of 25 years of fine printmaking so he's not here but I am here in Milan on a road trip with an incredible man who I met very recently in Basel, Art Basel. |
| 0:33.6 | I was presenting the inauguration for the Art Basel Awards, which hopefully will be a regular |
| 0:39.7 | annual event during Art Basel. |
| 0:41.9 | And it was sponsored, partnered, collaborated with Boss this year, which is a fantastic brand. |
| 0:48.3 | And I'm now talking to the creative director of Boss. |
| 0:51.9 | So I would like to welcome to talk art, Marco Falcioni. |
| 0:56.9 | Hi, Russell. Good morning. Good are you. Welcome to Milano. Thank you very much. Can you tell us |
| 1:02.2 | where I am today? Where are you in our showroom in Milan, in Viam Orimondo. Actually, it's quite |
| 1:09.4 | of an important place. It used to be the former factory of Richard Ginoi, you know, the porcelain brand. |
| 1:15.2 | Oh, yeah, Giorari, yeah, exactly, correct. |
| 1:17.9 | And, you know, has been dismissed many years ago, has been repurposed as showrooms and offices for several fashion brands. |
| 1:23.8 | How are you feeling? |
| 1:24.5 | Because yesterday you had your show. |
| 1:27.1 | Good. I'm dealing with, you know, |
| 1:30.3 | feedbacks and press and socials and a little bit anger over. Did a little celebration with my team. |
| 1:39.2 | They went ahead all the night. But good. Very happy, very satisfied and I'm happy that the vision we had for this |
| 1:45.4 | season I came across because it's the first time we do a show where art is the center of it. |
| 1:54.4 | Why was it important then for art to be the center of this show? And by the way, I've seen it. |
| 1:58.8 | It looks incredible and congratulations. |
| 2:06.1 | Let's delve deeper into that. But why was our important for you to be integral to this show? |
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