Summary
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| 0:00.0 | You are a human animal. |
| 0:08.0 | You are a very special breed, |
| 0:11.6 | for you are the only animal. |
| 0:15.3 | Who can think, who can reason, who can read? |
| 0:18.9 | Hi, this is Michael Silverblatt, and this is Bookworm. |
| 0:21.8 | We're here today at the Mark Taper Forum to talk to Manuel Pueig, who's come into town |
| 0:26.4 | from Mexico for the opening of his play, The Mystery of the Rose Bouquet. |
| 0:32.1 | Manuel Pueig was introduced to American readers really slightly before the magic realism boom, and is not |
| 0:39.5 | a part of that. |
| 0:40.6 | His first novel published in America was betrayed by Rita Hayworth, followed rapidly |
| 0:46.1 | by Heartbreak Tango. |
| 0:48.4 | His most well-known book, Kiss of the Spider Woman, was the third book published in America, |
| 0:53.8 | and it's been followed by the Buenos Aires Affair, Eternal Curse on the Reader of the Spider Woman was the third book published in America, and it's been followed by |
| 0:55.0 | the Buenos Aires Affair, Eternal Curse on the Reader of These Pages, Blood of Requited Love, |
| 1:00.8 | Pubis Angelicus, and now there is one remaining to be translated called Perhaps the Fall of the |
| 1:08.6 | Tropical Night. When you started writing, |
| 1:12.6 | the novels became steadily, what would you say, |
| 1:15.6 | more dark and more perverse for the first four books, |
| 1:19.6 | and two of them were banned in Argentina. |
| 1:22.6 | Why was that? |
| 1:24.6 | My first trouble with censorship took place earlier even with betrayed by Rita Hayworth. |
| 1:34.4 | It was supposed to be published in Franco's Spain in 66 and they asked for cuts and things that discouraged the publisher and so I looked for |
... |
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