In an urban society, everything connects.

Each person's needs are fed by the skills of many others.

Our lives are woven together in a fabric.

But the connections that make society strong also make it vulnerable.

On Sunday the 23rd of September 1984, the BBC aired a two-hour drama.

It was played on BBC 2 at 9.30pm.

The drama was set in the English city of Sheffield, and it depicted in grim,

unflinching detail the consequences of a nuclear bomb landing on the city.

Written by Barry Hines, the writer of Kess, the film initially plays out like a kitchen sink drama, lending an air of mundanity and social realism to what audiences were seeing. Directed by Mick come on, and I just be scared of it!

Directed by Mick Jackson, known for factual programming at the BBC and director

of the science show Horizon, the film also felt documentary-like, with Horizon's narrator Paul Vaughn

describing in cold, methodical detail the long-term effects of nuclear devastation on Britain.

Hanging in the atmosphere, the clouds of debris shut out the sun's heat and light.

Across large areas of the northern hemisphere, it starts to get dark. It starts to get cold.

The result was truly horrific.

Threads was watched by 7 million viewers that night, all utterly horrified by what they were watching.

The night threads aired on BBC 2 was later described by the media as the night Britain didn't sleep.

Thank you. the night Britain didn't sleep. Join me as we continue exploring the evolution of man-made monsters,

and we discuss the ultimate man-made monster, the nuclear bomb in Mick Jackson's Threads.

Welcome back to the evolution of horror. My name is Mike Munser and as ever I am your host.

In this podcast, we explore and dissect the history and the evolution

of the horror genre, one subgenre at a time. We are currently in the midst of our 11th season

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