4.7 • 1.3K Ratings
🗓️ 4 October 2022
⏱️ 29 minutes
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0:00.0 | Can I show you my latest piece? |
0:02.0 | Yeah, so I would love to see it. |
0:03.5 | Okay, hang on a sec. |
0:04.5 | Okay. |
0:05.5 | All right, so my most recent piece is called Black Sheep, and it's the main piece that |
0:13.5 | I did during the pandemic, and it was my attempt to sort of capture the malaise that was |
0:18.3 | like washing over everybody during isolation. |
0:22.7 | The image that you see here behind me features a Black Sheep, so the sheep's face is |
0:29.5 | executed in really contemporary, post salish art, but the sheep's body is composed of these |
0:35.4 | wolf mouths. |
0:37.4 | The tongues are going in different directions. |
0:40.4 | For me, I often use a jumble of wolf mouths to represent stress or anxiety, but what I |
0:46.1 | wanted to capture here is that our past experiences aren't something that we can set down like |
0:52.9 | a piece of baggage and then walk away from them. |
0:56.4 | They're leaving breathing parts of ourselves that we have to learn to live in symbiosis |
1:00.7 | with. |
1:01.7 | So the real pathway to happiness is not to try to set things down and walk away from them, |
1:09.0 | they will always be part of you. |
1:11.1 | That's beautiful. |
1:15.3 | Louis Gong is known as one of the most successful Native American visual artists in the country, |
1:21.2 | but he didn't start making art professionally until he was in his 30s. |
1:25.6 | At the beginning of Louis's artistic career, he wanted to find a way to sell and license |
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