Hello everyone, welcome to the season 5 Q&A. I'm here, Alexander Newell, director and

professional tag along, and with me today I have two people.

Please introduce yourselves, we haven't established an order, so it'll be fun to watch

you fight for it.

I'll introduce myself then, Elizabeth Moffat, other professional tag along for season

5, doing the sound design for that season, so there we go.

And I'm Johnny, Jonathan Sims, and I am apparently the only one who's meant to be here.

Everyone else is just tagging along behind me.

We're changing things up a little bit for these final set of Q&A's in that there's a decent

number of sound design ones, and it would be the height of hypocrisy for me to have claimed

to have done everything, because I didn't.

Not even a little bit, that'd be nonsense.

So what we're going to be doing is we're going to be splitting out a little bit, where

in this first Q&A we're going to be answering a lot of the questions that Elizabeth's going

to be better placed to answer, because they're highly technical, require perfect wording

and the responses, and just generally sound like a lot of work.

And if there's one thing I've learned over the years, Elizabeth is the best person for

me to give all the difficult work to, because I'm rubbish at that.

Thanks, Alex.

Sorry, Alex, are you saying that I'm not going to be able to talk about how I sound

scape to everything?

Oh, no, you can, but we're just going to have to let people conclude whether anything

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