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Studio 360 with Kurt Andersen

Lynn Shelton, Ursula von Rydingsvard and worshipping Cruella de Vil

Studio 360 with Kurt Andersen

PRX

Arts

4.6675 Ratings

🗓️ 11 July 2019

⏱️ 50 minutes

🧾️ Download transcript

Summary

Kurt Andersen talks with the director Lynn Shelton about how conspiracy theories and improvisation figure into her new film, “Sword of Trust,” which stars Marc Maron. Michael Bowen felt isolated growing up, but then he saw the animated feature film “One Hundred and One Dalmatians,” and oddly enough, its villain, Cruella de Vil, gave him hope that he would fit in. And it can be hard to know what to make of Ursula von Rydingsvard’s spectacular sculptures, but the mystery of how they’re made is solved with a visit to her Brooklyn studio. 

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Transcript

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0:00.0

From PRX.

0:06.4

Today on Studio 360.

0:10.2

When he turned around and he said, listen, I understand, like a year ago,

0:14.3

comes exactly where you are today.

0:16.2

When a lift driver's unhinged ideas help inspire a movie.

0:20.4

All you have to do, just start Googling.

0:22.3

I'm telling you, you go deep enough and it is all there.

0:24.8

It's irrefutable. You cannot deny it.

0:27.0

How flat earthers and other conspiracy theorists inspired writer-director Lynn Shelton's new comedy.

0:33.1

Plus, poison them, drown them, bash them in the head.

0:37.0

I just was in this out-of-body experience when I saw Cruel de Ville.

0:40.6

Finding your true self in a Disney villain.

0:43.8

I don't care how you kill the little beast, but do it!

0:46.3

And do it now!

0:47.9

I just thought, that, that's what I want to be.

0:50.1

That is the life I want to live.

0:51.5

Those stories and more are ahead on Studio 360 right after this.

1:08.5

This is Studio 360.

1:10.4

And I'm sitting on the steps of the Lincoln Memorial.

1:13.4

This first level of garden. This is Thomas Jefferson's vegetable dog. I'd like to have the roasted chicken base.

1:18.2

Very well done.

1:19.4

Editing is all about timing. I try to get a little bit away from the actual subject.

...

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