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Desert Island Discs

Lynda La Plante

Desert Island Discs

BBC

Society & Culture, Music Commentary, Music, Personal Journals

4.413.7K Ratings

🗓️ 23 October 1994

⏱️ 37 minutes

🧾️ Download transcript

Summary

The castaway in Desert Island Discs this week is Lynda La Plante - the creator of much-admired television series like Prime Suspect, Widows and Civvies.

Also the author of five novels, she'll be talking to Sue Lawley about how she made the transition from acting in repertory for six years, as well as Brian Rix's Whitehall farces, to becoming one of television's most prolific and successful writers.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Nessun Dorma from Turandot by Giacomo Puccini Book: Fairy Stories by Honore de Balzac Luxury: Mouth organ

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, I'm Krestey Young, and this is a podcast from the Desert Island Discs archive.

0:05.0

For rights reasons, we've had to shorten the music.

0:08.0

The program was originally broadcast in 1994, and the presenter was Sue Lawley. My castaway this week is a writer. She comes from Liverpool and began her professional life as an actress playing in rep for six years and in Brian Rix's Whitehall Farses.

0:40.0

But acting bored her and she crossed the line to the writer's chair since when she's never

0:44.8

looked back. Prolific and highly successful too, she's the author of popular and admired television

0:51.2

series such as Widows, Civies and Prime Suspect.

0:55.0

She's also written five novels and even though the work keeps coming admits to a fear of not being able to do it again.

1:02.0

She is Linda La Plant. I don't know about not

1:05.8

being able to come out with another story, Linda. I mean I gather your office and

1:09.0

your study and all the places you work are littered with unfinished manuscripts, unpublished,

1:14.0

unproduced bits and pieces. You must have a mass of it.

1:17.0

Yes, do you remember more come and wise and he used to say,

1:20.0

oh, I'll just go right to play in five minutes.

1:22.0

I don't know how to do it in five minutes but I think the

1:24.0

fear is that I will be caught out that somebody's going to say, wait a minute, this isn't as good as everybody said.

1:35.0

And that is the fear that generates this energy and me.

1:39.0

But haven't you proved it to yourself by now?

1:41.0

I mean, you really have had a string of hits.

1:43.2

Perhaps it's because it's all happened in such a short period of time.

1:46.0

I mean, you've only been writing for 12 years.

1:48.0

No, I think, there's that wonderful thing I remember somebody telling me about John Gilgood, who had these incredible

1:55.8

reviews about a play. And they went into his dressing room and he said, oh, I'm so depressed,

...

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