The show in general has a very nihilistic bleak over tone.

You know, even when you're outside, you live in this company town that's all cul-de-sacs and like pre-fab buildings.

And life inside sucks, life outside sucks. Life outside sucks.

It's kind of like a Scranton type town.

You know, like there's just like this flood records

that you can go to.

So it almost feels like Loomin doesn't even need implants to get everyone into this business call.

There's just no alternative to it.

And all people have is like conspiring to revolt against Loomin in some way, which I think, you know, in one way it could be

read as like, we're all in this together, we have to figure out our commonalities and

fight back, like the thing I just quoted.

But another way of looking at it is just like

you know capitalism has created this bleak meaningless world that we all live in and

there's just kind of no way out of it and I think that we both like this show for the same reason that we both liked don't look up.

Is that even with this bleak reality facing us, we kind of appreciate that that's where people's minds are at.

That's where, you know, Ben Stiller or, you know, whoever else worked on this show,

like the people that may don't look up have realized

that their ideology has reached a total dead end. That there's you know there's no

companies like Loomin and Apple and Amazon are not going to make things any better for us.

Yeah, I mean within the milieu of rich Dickhead Hollywood actors, producers producers and directors like

Bent Stiller and Adam McKay and all these sorts of people the coolest thing that you can do is make a

comment on this I think I mean it would be a lot cooler if you were just a

...