Lucy Dacus, Soccer Mommy, the Breeders and the Future of Indie Rock

Popcast

The New York Times

Music Commentary, Music, Music Interviews

3.4 • 1.7K Ratings

🗓️ 2 March 2018

⏱️ 57 minutes

🔗️ Recording | iTunes | RSS

🧾️ Download transcript

Summary

A conversation about carefully considered creative paths — and how pristine voices with powerful messages are amplified — as three strong new albums arrive

Transcript

Click on a timestamp to play from that location

0:00.0	Welcome to the New York Times Popcast, you're dropping 1500 on the
0:08.8	hypnotherapist of music news and criticism. I'm your host John
0:12.4	Karamonica.
0:13.0	The first time I tasted somebody else's bit, I had a coughing fit.
0:21.0	I'm a... fear. I mistakenly called them by your name. I was let down it wasn't the same. I'm doing
0:35.0	doing fine
0:38.0	I'm doing fine
0:40.0	trying to derail my one track mind
0:47.0	Regaining myself worth in record time
0:51.0	But I can't help but think of your other in the bed that was mine.
1:00.0	In my masochist resisting urges to punch you in the teeth call you a bitch and leave.
1:14.0	Why did I come here to sit and watch you stare at your feet?
1:19.0	What was the plan,
1:21.0	absorb your guilt and shake heads?
1:28.8	I feel no need to forgive, but I might as well.
1:35.0	But let me kiss your lips.
1:37.8	Oh, can you taste the anger?
1:40.2	Can you taste the resentment?
1:42.0	That is Lucy Dacus night shift the first song off of her new album which is called historian?
1:48.8	It's a big week for releases, especially for young women in indie rock and punk adjacent spaces who have a lot to talk a lot of
1:57.7	a lot of feelings a lot of songs a lot going on and
2:01.6	a lot of lines.
	...

Please login to see the full transcript.

Previous episode | Next episode

Disclaimer: The podcast and artwork embedded on this page are from The New York Times, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The New York Times and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.