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The Business

Luca Guadagnino: ‘I am a workaholic’ who toils ‘in every direction’

The Business

KCRW

Tv & Film

4.6676 Ratings

🗓️ 9 December 2022

⏱️ 29 minutes

🧾️ Download transcript

Summary

Italian filmmaker Luca Guadagnino stays busy with his projects, which lately have stacked up on top of each other throughout their production cycles. After recovering from a broken foot, he’s flown to Brazil, Argentina, the United States, and around Europe in a months-long global press tour to promote two most recent films that he produced and directed.  

Transcript

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0:00.0

Thanks for tuning in during KCRW's season of giving back.

0:04.4

We're so grateful that you're here with us.

0:06.5

If you're grateful for us to show it with a year-end donation,

0:10.3

go to kCRW.com slash give.

0:13.6

From KCRW, I'm Kim Masters, and this is the business.

0:19.2

I don't think that the producing and finding financing for your movies means that you are a shrewd business. I don't think that the producing and finding financing for your movies

0:22.7

means that you are a shrewd businessman.

0:25.6

It means that you want to have control over the process of what you do,

0:29.0

which I think is the most important way of owning

0:31.2

and really making sure that you are expressing yourself.

0:35.3

Call Me By Your Name Director Luca Guadagnino knows that some people might be reluctant

0:40.0

to watch his latest film, The Cannibal Romance, Bones and All. He explains what drew him to

0:45.5

the project and the self-proclaimed workaholic talks about his other recent film, the high-fashioned

0:50.8

documentary Salvatore Shoemaker of Dreams. But first we banter. Stick around. It's the

0:56.5

business from KCRW. I am joined by my colleague in banter Matt Bellney. Hello, Matt. Hi there.

1:05.2

So, Matt, as you well know, Netflix paid an eye-watering $465 million, almost half a billion dollars,

1:14.5

for two sequels, two knives out, which was initially a regular theatrical movie that

1:20.0

played until it exhausted its window, made a lot of money, but Netflix jumped in there and

1:25.7

they bought it. And I guess to make the deal, they agreed that

1:28.8

with Ryan Johnson, the director and his producer, that they would do something they'd never done

1:33.6

before, which is to run it for a week in 600 theaters. The first time they've done a deal with

1:38.8

the big theater chains, AMC and Regal. And then they would pull it. A month will pass and on

...

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