4.8 • 2.6K Ratings
🗓️ 17 January 2024
⏱️ 54 minutes
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| 0:00.0 | For both of them love is a trapdoor it opens beneath their feet. They don't fly |
| 0:08.7 | upwards. They plunge downwards into an unknown country. |
| 0:13.0 | From WQXR in the Metropolitan Opera, |
| 0:17.0 | this is Ariacode. |
| 0:18.0 | I'm Rianna Givens. |
| 0:20.0 | This speech flips the language of the play from the world of the living to the world of the dead and that of course is a major |
| 0:31.1 | Tonal shift towards tragedy. |
| 0:34.4 | Every episode we dig deep into a single Aria |
| 0:37.5 | to see what treasure there is hiding inside. |
| 0:40.4 | Today it's Amour Raniememem-Courage, the Poison Aria from Romeo and Juliet by Charles Guno. |
| 0:47.0 | Gune's music is so deep and an immense specter of feelings are given to us, they hit us, right direct in the soul. |
| 0:57.4 | The music takes you. |
| 1:02.4 | Guys, I'm super excited about today's Aria, because Juliet was the first main role I ever sang back |
| 1:11.0 | when I was sitting opera at Oberlin Conservatory. |
| 1:13.2 | And it was a revelatory experience for me. |
| 1:16.4 | The romance, the emotions, the gorgeous music. |
| 1:20.7 | If I hadn't been hooked on opera already already I certainly would have been after that. |
| 1:25.0 | Romeo and Juliet has been adapted every way imaginable, including versions that tell the story through |
| 1:31.0 | martial arts, zombies, |
| 1:33.5 | and garden gnomes. |
| 1:35.6 | Seriously, people, this is one versatile tragedy. |
| 1:39.2 | The opera version by Charles Guno |
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