Louise Doughty on the unrealised potential of older women
The Shift with Sam Baker
Sam Baker Ltd
4.8 • 525 Ratings
🗓️ 5 November 2024
⏱️ 57 minutes
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| 0:33.1 | Hello and welcome to The Shift, the podcast that aims to tell the no holds bad truth about |
| 0:39.4 | being a woman post-40, created and hosted by me, writer and broadcaster Sam Baker. |
| 0:45.5 | My guest today is Louise Doughty, the woman behind some of the naughtiest thrillers to grace |
| 0:50.7 | our bookshelves and TV screens in recent years. Her bestseller, Apple Tree Yard, |
| 0:56.2 | about a sensible middle-aged woman who makes a very unsensible decision involving sex in the |
| 1:01.6 | House of Commons, sold over half a million copies and was turned into a smash-hit BBC series |
| 1:07.0 | starring Emily Watson. She was also the brains behind the breathtaking BBC drama |
| 1:11.7 | Crossfire that starred Keely Hawes. Of course, what you don't hear is that Apple Tree Yard was |
| 1:17.8 | Louise's seventh novel, which catapulted her to the big time, as they say, at the age of 50. |
| 1:23.9 | To me, the rewards of getting older hugely outweigh the debits of it. I just love it. I've |
| 1:30.6 | never been happier than I am now. Her latest book, A Bird in Winter, looks set to continue that trajectory. |
| 1:37.3 | Think the 39 steps if the lead was an extremely resourceful 50-something woman on the run. |
| 1:43.4 | Louise joined me to talk about how her overnight success at 50 transformed her life, |
| 1:49.5 | mainly she finally started a pension, and why it's still considered controversial when |
| 1:54.0 | middle-aged women have sex. |
| 1:56.3 | We also discussed surviving the menopause puberty collision, the unrealised fury and potential of the middle |
| 2:02.4 | age woman, and the power and importance of realizing you're not for everyone, and that's |
| 2:09.0 | absolutely fine. I mean, you had written, oh, God, I'm not going to get this right now. |
| 2:28.7 | Was it, was Appletree Yard your seventh book? |
| 2:31.6 | Seventh, yes, yeah. |
... |
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