Summary
Women in the villages of Spain and the repression and passions of five daughters are at the heart of Lorca's last play the House of Bernarda Alba, completed two months before he was assassinated in 1936. Rana Mitter looks at the life and writing of Lorca, with guests including The Observer's theatre critic, Susannah Clapp and Professor Maria Delgado of the Central School of Speech and Drama and Professor Duncan Wheeler, Chair of Spanish Studies at the University of Leeds and Dr Federico Bonaddio who teaches Spanish literature at King’s College London.
Producer: Ruth Watts
The House of Bernarda Alba in a version by Alice Birch and starring Harriet Walter runs at the National Theatre until 6 January 2024. You can find more discussions about Prose, Poetry and Drama in a collection on the Free Thinking programme website including episodes looking at Ibsen, Moliere, Shakespeare, Lorraine Hansberry, John McGrath, George Bernard Shaw all available as Arts & Ideas podcasts
Transcript
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| 0:21.7 | The stat that is astonishing is they ended with the lowest amount of possession. |
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| 0:40.5 | Hello. |
| 0:41.6 | Today, we're walking the wide red roads of Andalusia, and they take us to a house filled |
| 0:47.0 | with stormy emotions. |
| 0:48.8 | As a new production of Federico Garcia-Lorca's play, The House of Bernardo Alba, opens |
| 0:53.7 | in London, I'll be finding |
| 0:55.1 | up more about what made him one of modern Spain's greatest writers and why he still matters today. |
... |
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