Imagine a breakfast wrap.

You know the one, because there really is only one.

Sausage, egg, cheese, bacon and a potato rusty all wrapped together.

Yep, there it is.

I think my work here is done.

Serve them until 11am.

It's very difficult to keep the line between the past and the breakfast. served until 11 a.m.

It's very difficult to keep the line between the past and the present.

Do you believe that someone out of the past can enter and take possession of a living being?

We may be through with the past, but the past is not through with us.

Welcome to The Next Picture Show, a movie of the week podcast dedicated to a classic film and how it's shaped our thoughts on a current release.

I'm Tosh Robinson, here with... Keith Deppes.

Genevieve Koski.

Scott Tobias.

Here on the next picture show, we believe that no film exists in a vacuum and that all culture is more interesting in context.

So every other week, we get together to talk over a classic film and consider how it relates

to a current movie.

This week we're stealing the show with a pair of heist movies, both about a crew of specialists

working like a well-oiled machine to steal a huge pile of money generated by a popular sporting

event.

In both cases, the thieves claim to have thinly drawn moral reasons, but they're really motivated by family. And in both cases, the actual motive is to entertain the audience by making the heist as convoluted and personality-driven as possible. Okay, Genevieve, what kind of crew do you think we're going to need to introduce these two films? I'm thinking a Boski, a Jim Brown, a Miss Daisy, two Jethros and a Leon Spinks, and the biggest Ella Fitzgeralda ever. Or you could just have me do it? And what's the fun in that? Put it this way. The version where I just explained this won't take two hours of banter, character building, and plot fakeouts. Here's the gist. Stephen Soderberg made Logan Lucky and Oceans 11 16 years apart, but they have a lot in common, both in focus and structure. They both start with a mastermind who wants to pull off a heist and has to assemble a crew of old familiars to do it. Both films follow the process of building the team, then building the scheme, and then both films launch into the action, taking us through the big theft,

then dropping back to reveal there was more going on than the audience realized. But the two films

...