Living in the Library
The Librarian Is In
The New York Public Library
4.7 • 595 Ratings
🗓️ 1 March 2018
⏱️ 32 minutes
🧾️ Download transcript
Summary
Actor Sharon Washington joins us to talk about her one-woman play "Feeding the Dragon," based on her experience growing up inside a New York Public Library branch in the 1970s. She tells us about her childhood in the library after hours, and what it's like to share her story on stage. Plus: horror movie recs, and getting judgy on "Law and Order."
Transcript
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| 0:00.0 | Hi, everybody. Welcome to The Librarian is in the New York Public Libraries podcast about books, culture, and what to read next. I'm Gwen. |
| 0:11.1 | I'm Frank. And we're super excited to be joined today by Sharon Washington. |
| 0:15.2 | Hello. |
| 0:17.5 | Sharon Washington plays nearly 20 characters in her own true story of growing up in the custodial apartment of a Manhattan library. |
| 0:25.4 | Her show is called Feeding the Dragon and she is an actor in the one woman production. |
| 0:31.5 | In this library, her father toils night and day to load the fiery furnace with coal or in the eyes of a fanciful little bookworm |
| 0:37.9 | to feed the dragon. |
| 0:39.4 | Shrouted in family mystery, Sharon's story boldly examines how both the power of forgiveness |
| 0:43.4 | and her love for the written word have helped her battle dragons of all forms. |
| 0:47.5 | So the 20 different characters in this show, do they all sound different? |
| 0:52.3 | They all sound different. |
| 0:53.5 | I hope so. That's amazing. They all sound exactly the same. So you're totally confused as to what she's doing because she's just a name. They're all me. But they're all her. They are all me. So they all sound a little like me. But no, but it's interesting. I usually ask this of the audience members in the talk back, or I did early on. |
| 1:12.7 | Now I'm confident that they sound different, that you can follow the story because when I storytell, when I'm talking about my father, I start to sound like my father because that's what you do, or my mother who had a very distinct accent. |
| 1:24.8 | And so I want to make sure sometimes I'm speaking as both in one scene, |
| 1:29.6 | and I want to make sure the audience can follow who I am without saying, and now I'm my mother. |
| 1:33.4 | And now I'm putting on a hat or I'm putting on a scarf. So it's been tracking very well. |
| 1:38.4 | People seem to be able to know who I'm talking about. That's great. Well, I have to say, first |
| 1:43.3 | of all, this show has, and you must know this at this point, |
| 1:47.4 | just taps into so many fantasies that librarians, book lovers, book people have engaged in. |
| 1:55.6 | I mean, I talked about last week from the mixed up files of Mrs. Basley-Frank, |
| 1:59.7 | Wiler, and I was impacted profoundly as a kid about hiding out in the museum, |
| 2:05.1 | but I wanted to hide out in the library. |
... |
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