Hello, Sarah Marshall. Hello, Alex. You're listening to you are good feelings podcasts about movie Sarah Alex. What are we getting into today? We're talking about what at least two thirds of the people in this episode

would deem the best or at least their favorite movie musical ever. It is. It is a little shop of horrors.

Boxa-bop, you'll never stop the terror. I think that's the right lyric. It's our sequel to Beauty and the Beast.

And we have Dana Schwartz back and it's like a sequel and a prequel because this is the movie that I like to think whoever was making these choices at Disney Watch and was like, hire these men.

Yes, totally. I didn't fully realize that somewhere that's green and part of this world are at the same time.

Yeah, and the working title for part of your world was somewhere that's wet.

Like not just like, I want to be there. It's like, it's like the same song.

Like if Ariel had a trash can to lean against, she would. Yeah. And I love the parallel too that these are both songs by like profoundly innocent souls

imagining this world where like it will be so wonderful, you know, a tract house of our own plastic on the furniture.

What's that word against street? And like as the viewer, you're like, no, those things kind of suck actually.

Yes. But like you're so carried away by their sheer longing for something that the people actually living that life are pretty tired of a lot of the time.

Howard Ashman, where would we be without you? Who would we be without you?

I can't even imagine like, who would I be without this movie in that four or five year stretch of great Disney animated movies with some version of somewhere that's green.

Yeah. Oh, my God. You know, we lost Howard Ashman in the early 90s and then, you know, any Disney movie, like I forget what it's called and move on.

Who is that girl I see? Like that's got Howard Ashman's DNA in it. And like how far I'll go in Moana. Like that's Howard Ashman's DNA too. Like his, we are all his children.

Yes. Thank you, Howard, for a spiritually birthing us.

You didn't see that coming. Did you Howard?

But speaking of Disney, I feel like on Disney Channel or at Disney World or something about Halloween, there's Mickey's not so scary something something.

And this is your good not so scary Halloween season now because we're talking about movies that I would say are all technically horror or like are playing with horror themes.

But all of these are movies that I would be comfortable showing a 12 year old if I happen to have one to be showing movies too.

Yeah, totally. They're all soft. I don't know why Twitter somehow was like, you know what, Alex should just be notified of every horror tweet ever. I don't know if I like accidentally clicked a thing and now I just get a stream of the stuff in the algorithm.

But as a result, I see a lot of people talk about horror based on whether or not they're scared by it. And it feels like it misses a huge point.

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