Literary Friction - High Society with Patrick deWitt
Literary Friction
Literary Friction
4.9 • 593 Ratings
🗓️ 3 October 2018
⏱️ 59 minutes
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| 0:00.0 | Welcome to Literary Friction. I'm Carrie Plitt, here as always with my co-host Octavia Bright. |
| 0:09.3 | Hello, Octavia. Hi, Carrie. How are you doing today? I'm very well, babe. How are you? |
| 0:13.2 | I'm very well. I'm adopting a high society voice. |
| 0:17.4 | Don't start. No, I mean, I don't really know what high society voice is. |
| 0:22.6 | I don't know. |
| 0:23.6 | I should also try. |
| 0:24.6 | Oh, thank you. |
| 0:25.6 | I should also try. |
| 0:26.6 | Well, you may be... |
| 0:27.6 | Careful now. |
| 0:28.6 | Am I treading on thin ground here? |
| 0:32.6 | Yes. |
| 0:33.6 | Yeah. |
| 0:34.6 | No, no. |
| 0:35.6 | Well, today, darling, the reason I'm talking about that is because the theme of our show today is high society. |
| 0:43.0 | We will be talking about all things hoity-toity, posh, and expensive. |
| 0:47.1 | Why are there so many rich people in fiction? |
| 0:49.5 | Should they be anything other than the object of ridicule and scorn? |
| 0:53.1 | Are the rich different from us? We'll attempt to |
| 0:55.6 | answer these questions in our discussion of the rich in literature, but first we're talking to the |
| 1:00.5 | Canadian novelist Patrick De Witt, whose fourth novel, French Exit, is the story of Francis, an upper-class |
| 1:06.4 | widow and her adult son Malcolm, who flee from New York to Paris when their money runs out. |
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