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Literary Friction

Literary Friction - Deception with Yiyun Li

Literary Friction

Literary Friction

Arts

4.9593 Ratings

🗓️ 11 November 2022

⏱️ 61 minutes

🧾️ Download transcript

Summary

When it comes to fiction, why are people so obsessed with authenticity and so appalled by literary deception? Does it matter who tells a story? And what do novels that confront these ideas have to tell us? Our guest this month is the writer Yiyun Li, whose latest novel The Book of Goose is about an intense friendship between two girls in rural postwar France. When Agnes and Fabienne write a book of stories together, a simple lie about the book’s authorship sends Agnes’ life in an unexpected direction. So in honour of their act of literary creation - and obfuscation - we wanted to devote our show to the idea of literary deception. Listen in for thoughts on authenticity, literary hoaxes, unreliable narrators and all the usual recommendations. Recommendations on the theme, Deception: Octavia: Who's Afraid of Virginia Woolf by Edward Albee Carrie: The Lying Life of Adults by Elena Ferrante General recommendations: Octavia: Our Share of Night by Mariana Enriquez Yiyun: The Hero of This Book by Elizabeth McCracken Carrie: The Song of Achilles by Madeleine Miller Find a list of all recommended books at: https://uk.bookshop.org/lists/november-2022-deception-with-yiyun-li Support us on Patreon: https://www.patreon.com/litfriction Email us: litfriction@gmail.com Tweet us & find us on Instagram: @litfriction This episode is sponsored by Picador: https://www.panmacmillan.com/picador

Transcript

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0:00.0

Welcome to Literary Friction.

0:20.5

I'm Carrie Plett, here as always with my co-host, Octavia Bright. Welcome to Literary Friction.

0:24.9

I'm Carrie Plitt, here as always with my co-host, Octavia Bright.

0:27.8

Hi, Octavia. How are you?

0:31.3

I'm good, Carrie. Thank you. Hi.

0:35.3

Hi. Hi. Hi. Hi. Hi. Hi.

0:38.3

Reilzo said that in a weird order this time. I don't know why.

0:42.8

I said my introduction weirdly. That you did a little bit. I'm going to blame you.

0:50.1

No, I'm fine. I'm fine. I'm sad that it's now very thoroughly dark when we do our recording in the evenings.

1:11.4

Like that's definitely something I'm struggling with a little bit. But other than that, I'm good. It's been an extremely busy few weeks of events and radio programs, which has meant I've had to read an enormous pile of books. And they were all really good. So I'm feeling full to the brim of good literature, actually, which is a fabulous feeling. That is fabulous. Yeah, no, really good. So much to think about. And then today was my

1:18.3

first day back to my final edits on my own book, which is terrifying. But you know what, Carrie?

1:26.2

It is not as bad as I thought it was. So that's good.

1:32.4

That's shocking to me that what you thought was a pile of trash at one point is actually very good.

1:40.0

I don't know. Very good's going a bit far. Let's see. Let's see. But how are you? How are you? I'm good. We're

1:45.9

recording this right after the Frankfurt Book Fair, where I've just returned from. And it's been three

1:50.5

years. And so it was really nice to go and see editors and just hang out with people and talk about

1:57.1

with books and be surrounded by people from all over the world who care about and edit books and sell books.

2:04.3

I was also reminded how weird book fairs are.

2:07.1

You know, we're sitting at tables all day and editors just rotate through and every 30 minutes and we pitch them our books.

2:15.8

I mean, that's crazy.

2:17.0

It's such a weird format.

2:18.5

It sounds like a speed dating. It is. It basically is. Wow. And it's also amazing when, you know,

...

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