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Switched on Pop

Listening 2 Britney: ...Baby One More Time

Switched on Pop

Vox Media Podcast Network

Music Interviews, Music History, Music, Music Commentary

4.62.7K Ratings

🗓️ 8 March 2022

⏱️ 28 minutes

🧾️ Download transcript

Summary

On a crisp Autumn morning in 1998, the world was introduced to the voice of Britney Spears, and pop would never be the same. Britney’s mix of vocal fry, percussive pronunciations, and timbral play on “...Baby One More Time” hadn't been heard before. As successful as they were, these techniques were derided by critics as parts of her manufactured “baby voice." Listening in 2022, we can hear Britney with more clarity: as a radical new artist. "...Baby One More Time" was not Britney's first turn in the spotlight. She had been cast on the Mickey Mouse Club in 1992, when she was 12 years old, executing immaculate vocals and choreography. But the voice on her first single represents a different side of the singer, and a new sound on the pop landscape. With Britney's ferocious vocals at the center, "...Baby" rocketed to number one and broke sales records. On her next release, "Oops!... I Did it Again," Spears upped the ante. Working again with producers Max Martin and Rami Yacoub, "...Oops" borrowed liberally from music across the radio dial, and added a dash of 16th-century harmony into the mix. Between her first two albums, Britney had taken hold of audiences by sheer force of personality and artistry, fought for in every syllable she sang. The stardom that followed was as unprecedented as her sound. But for someone as scrutinized as Britney has been, the artistry behind her celebrity has often been ignored. On the first episode of the four-part series Listening to Britney, we focus on Britney's voice in order to hear a pop icon with fresh ears. Songs Discussed Britney Spears - ...Baby One More Time, Oops!... I Did it Again, Stronger, Don't Let Me Be the Last to Know, Email My Heart Backstreet Boys - Larger than Life Jean-Baptiste Lully - Les Folies d'Espagne Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

This podcast is brought to you by Dash Hudson.

0:03.6

Last year, the average Americans spent over 1300 hours on social media.

0:08.7

That's a lot of content for our eyeballs, and a lot of competition for brands,

0:12.9

which is why top companies are partnering with Dash Hudson.

0:16.6

Dash Hudson is a social marketing software that helps brands deliver the best content

0:21.3

for maximum impact on social.

0:23.5

Their new competitive insight function helps you deeply understand your consumers

0:27.9

and your competitors.

0:29.8

Learn how at dash Hudson.com slash podcast.

0:47.6

Welcome to Switched on Pop.

0:48.7

I'm musicologist Nate Sloan, and I'm songwriter Charlie Harding.

0:52.4

Charlie, do you remember where you were on September 28, 1998?

0:56.8

Not precisely, but definitely at some point that day, I probably would have had two excruciatingly long bus rides

1:02.8

to and from middle school, probably listening to a lot of radio.

1:06.6

Well, Charlie, I hope this date is burned in your mind forever more because September 28, 1998, a Monday,

1:14.6

was when the world was introduced to the voice of Britney Spears.

1:31.6

So I was probably rushing home from the bus to watch Total Request Live on MTV.

1:36.4

The details may be foggy, but I know one thing Charlie, your world, my world,

1:41.6

the world of pop music was never the same. That's not a niable.

1:45.7

Britney Spears has been in the news nonstop since that moment in 1998.

1:51.2

Her highs and lows have been served up on an almost daily basis to an insatiable public.

1:58.8

She's been made the symbol of innocence, sexuality, politics, mental health, feminism, confinement, and freedom.

...

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