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Desert Island Discs

Les Murray

Desert Island Discs

BBC

Music, Society & Culture, Personal Journals, Music Commentary

4.314.3K Ratings

🗓️ 16 August 1998

⏱️ 38 minutes

🧾️ Download transcript

Summary

Sue Lawley's castaway this morning is the Australian poet Les Murray. He began writing when he realised that poetry didn't have to be about daffodils in a far off English field but could reflect the world around him; from the sheep and cows on the family farm, to the wallabies in the outback. His most powerful subject though, is his own depression which has dogged him for more than 50 years.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: La Valse a Mille Temps by Jacques Brel Book: Blank, lined book Luxury: Marble four-poster bed

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, I'm Cresti Young and this is a podcast from the Desert Island Discs Archive for rights reasons we've had to shorten the music.

0:09.0

The program was originally broadcast in 1998 and the presenter was Sue Lolli.

0:31.0

My castaway this week is a poet born 60 years ago in the Australian Outback.

0:36.0

He's the only son of a farmer who forgot how to read and a mother who died when he was a boy because the doctor refused an ambulance to get her to hospital.

0:44.0

After university and a few years drifting he became a full-time poet and has earned his living ever since with his poems about nature.

0:53.0

The aborigines, spacemen, broad beans, everything in fact he says that models the way we really think.

1:01.0

Deeply Catholic, prone to depression but above all an Australian deeply rooted in his native land he is today regarded as one of the greatest living exponents of the poetic strength of the English language.

1:13.0

He is Les Murray.

1:15.0

The facts which altogether Les make you sound like a very serious person, a VSP, when in fact you're also full of humour.

1:22.0

I was ordered to be so, I stood there beside myself, watching myself.

1:25.0

But let's, you know, I think we should start by asking you to read a poem that displays that kind of humour and you've written one called the Dream of Wearing Shorts Forever.

1:33.0

So just for flavour, give us a sample.

1:35.0

I'll give you a sample from that.

1:37.0

To go home and wear shorts forever in the enormous paddocks in that warm climate, adding a sweater when winter soaks the grass.

1:44.0

To camp out along the river bends for good, wearing shorts with a pocket knife, a fishing line and matches.

1:50.0

Or there where the hills are all down below the plain, to sit around in shorts at evening on the plank veranda.

1:57.0

If the cardinal points of costume are robes, tat, rig and scunge, we're assured in this compass.

2:04.0

They are never robes as other bare leg outfits have been, the toga, the kilt, the lava lava, the Mahatmas cotton doti.

2:12.0

Archbishops and field marshals that their ceremonies never wear shorts.

2:16.0

The very word means underpants in North America.

2:19.0

So it goes on for another eleven stanzas. But scunge, it's a great word.

2:24.0

What does it mean? It means that kind of clothes that are so casual you don't notice you got them on.

...

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