4.8 • 1.9K Ratings
🗓️ 8 June 2022
⏱️ 35 minutes
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0:00.0 | Hello and welcome to Frank Skinner's poetry podcast. This week, I am looking at an airplane |
0:12.8 | is going over, I don't know if you can hear that. It's okay, life goes on, poetry remains |
0:18.7 | in its ivory tower. It's not, I don't actually think, ivory tower, it's, I think, bakelite. |
0:26.8 | Anyway, Leonshire Flynn wrote a collection of poems. I'm fairly confident, by the way, |
0:35.2 | that Leonshire is how you say her first name. It's L-E-O-N-T-I-A. If I'm wrong, then |
0:42.6 | I apologise to her and her followers. Anyway, I come here to praise her, not to pronounce |
0:51.0 | her. And profit and loss is the collection that I want to talk about. It's a 2011 collection. It is |
1:01.4 | tremendous. And such is my confidence in the material in this book. I thought what I would do is |
1:10.2 | open it randomly at a page or pages, facing pages and do those two poems. So not only am I doing |
1:20.1 | profit and loss, I'm doing pages 24 and 25 of profit and loss. The focus tightens to just those |
1:28.4 | two facing pages. And there is a poem on each of those and I want to talk about them because I like |
1:36.3 | them. That's my point. I also like the randomness of opening a book at a page and seeing what happens. |
1:43.7 | I once was in a slight mess in my life and I decided to open the Bible and say whichever |
1:52.7 | passage was first on the right hand page, that would aid my decision. And I can't remember |
1:59.9 | it word for word, but the first passage on that page said, and Jay Fett begat mellakim |
2:08.3 | or something of that nature. I just couldn't make it fit with the problem in hand. So it's not |
2:16.5 | foolproof, but I'm confident of Leoncha Flynn's ability that you can open this book anywhere and find |
2:22.3 | gold. On page 24, I'd like to tell you about it. Here is the first few lines. You find yourself |
2:35.5 | suddenly very badly drunk at a ritzy do in some renovated warehouse. You are talking at speed |
2:44.9 | to a man who's almost handsome in a Hollywood way, except for his terrible teeth. What's wrong |
2:53.6 | with these teeth? They slant inwards like a shark's. And this is the last clear thought you will |
3:02.4 | recall when you wake to the drama of an unknown room. I love it. The drama of an unknown room. We |
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