Leon: The Professional (Extended Cut)
Science Fiction Film Podcast (2019)
LSG Media
4.7 • 598 Ratings
🗓️ 12 August 2019
⏱️ 158 minutes
🧾️ Download transcript
Summary
Episode Rundown
- 03:20 - Separating the art from the artist
- 11:44 - Natalie Portman's thoughts on the movie now
- 14:06 - Mathilda's confused feelings - Part 1
- 15:32 - Who does the 'sexual misunderstanding' plot appeal to?
- 18:07 - Age of consent around the globe - YUCK
- 22:35 - Why did Leon never explicitly say, "NO!" to Mathilda's advances
- 34:11 - The most French pants of all time
- 42:30 - The setting as a heightened version of reality
- 44:41 - Gary Oldman's improv and Stansfield's collision course
- 46:56 - Please beat your children quieter
- 49:27 - Mathilda's world before Leon
- 51:19 - Stansfield as the Angel of Mercy
- 54:07 - Don't sugar-coat how terrible life is to your children
- 55:32 - Maybe just murder Mathilda and move on?
- 57:11 - The Stansfield and Beethoven connection
- 1:02:20 - Mad Oldman and Hot-Head Matt
- 1:13:28 - Besson corrects Matthew's assessment of Natalie Portman
- 1:15:19 - Leon's stunted social development
- 1:24:27 - "S" comes after "K" except with sniper rifles and knives
- 1:35:05 - Matthew is derailed when he forgets some names
- 1:40:00 - Matthew's sketch playground "studies"
- 1:42:29 - Mathilda's confused feelings - Part 2
- 1:45:53 - The most distracted cop of all time
- 1:48:16 - A couple of nerds discuss some vampire powers
- 2:00:32 - Besson directs a child as if she were a woman. YUCK.
- 2:04:40 - Mathilda's confidence withers under Stansfield's presence
- 2:11:42 - "It's about time this child has sex." Luc Besson
- 2:14:59 - "She asked for it." Matthew the Defendant
Twitter Dean - @dean_lsgmedia Matthew - @matthewfromlsg LSG - @lsgmedia Support Support LSG Media by becoming a member
Transcript
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| 0:00.0 | Welcome back to the science fiction film podcasts by LSG Media. |
| 0:12.6 | I'm Dean. |
| 0:13.4 | I'm Matthew. |
| 0:14.3 | And on this week's episode, we're talking about The Professional from 1994, by Luke Besson. |
| 0:28.1 | All right, Matthew, |
| 0:28.9 | we're back, |
| 0:29.4 | and I do not want to |
| 0:30.3 | bury the lead this week. |
| 0:32.4 | I don't want to. |
| 0:33.3 | I think it's very important. |
| 0:34.7 | Coming out of the gate, |
| 0:35.4 | very strong. |
| 0:37.1 | I think we should go right into Luke Besant. |
| 0:41.7 | I know that you were doing some research asking me if I did any and I didn't. |
| 0:45.1 | And I'm excited to hear what you have to say. |
| 0:47.2 | I did read one article. |
| 0:49.0 | And we got to talk about, I don't want to bear the lead on this because I think it is important |
| 0:56.1 | because I think the crux of this entire picture is the relationship between Matilda and Leon. |
| 1:02.2 | Definitely. |
| 1:02.8 | And I think that relationship is weird. |
| 1:07.1 | Definitely. |
| 1:08.2 | And I want to talk about it. |
... |
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