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Bookworm

Lawrence Weschler: Uncanny Valley

Bookworm

KCRW

Arts

4.5606 Ratings

🗓️ 3 November 2011

⏱️ 29 minutes

🧾️ Download transcript

Summary

The veteran contributor to The New Yorker and McSweeney's distills his knowledge about how to structure the essay—from cultural comedies to political tragedies.

Transcript

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0:00.0

Funds for Bookworm are provided in part by Lannin Foundation.

0:04.2

Boots!

0:09.5

Where would we be without boos?

0:13.0

Where would we be without good?

0:15.3

No, Zintuberg.

0:16.8

It's a rhetorical question, sir.

0:20.1

But where would we need without books?

0:23.7

From KCRW and KCRW.com, I'm Michael Silverblatt, and this is Bookworm.

0:30.1

Today I'm very pleased to have us my guest, Lawrence Weaschler, Ren Weishler.

0:36.0

He's the author most recently of Uncanny Valley, Adventures in the Narrative.

0:43.4

And I wanted to begin immediately by asking you, what is narrative nonfiction?

0:51.0

It's funny.

0:52.9

Before we started, we were talking about people calling it creative nonfiction, literary

0:57.0

nonfiction.

0:58.0

Actually, the term I prefer is writerly nonfiction.

1:02.0

It's non-fictive writing, which is to say it's about it is precisely not fiction.

1:08.0

It is not made up.

1:09.0

It is about the world.

1:10.0

It is about actual things in the world. But it is done with writing as if the reading mattered. And it expects reading as of the writing mattered. I teach a course at NYU called the fiction of nonfiction. And in that course, I am interested precisely in all the

1:29.9

fictive elements of this kind of writing, which is to say things like structure, form,

1:36.1

voice, freedom, irony, all the kinds of things that you usually see in fiction. Rhapsody is another one of them.

1:45.5

And I want, it's, by the way, a funny class because it's offered half, it's a graduate course,

...

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